WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
MARIO AND THE MAGICIANS
THOMAS MANN
1875 - 1955
18
THE
TABLES OF THE LAW
Page 289
"WITH A HANDFUL OF THESE SIGNS ALL THE WORDS
OF ALL THE LANGUAGES OF ALL THE PEOPLE
COULD, IF NEED BE, BE WRITTEN,"
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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= |
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= |
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= |
= |
= |
= |
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S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
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7 |
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9 |
= |
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= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
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1 |
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20 |
21 |
22 |
23 |
24 |
25 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
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9 |
1 |
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1 |
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A |
B |
C |
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E |
F |
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H |
I |
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K |
L |
M |
N |
O |
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Q |
R |
S |
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U |
V |
W |
X |
Y |
Z |
- |
- |
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I |
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U |
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1 |
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9 |
1 |
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A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
- |
|
- |
- |
- |
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THE |
33 |
15 |
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RAINBOW |
82 |
37 |
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LIGHT |
56 |
29 |
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1+5 |
|
1+7+1 |
8+1 |
- |
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THE LIGHT IS RISING RISING IS THE LIGHT
15 |
THE RAINBOW LIGHT |
- |
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- |
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THE |
33 |
15 |
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R |
18 |
9 |
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A |
1 |
1 |
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I |
9 |
9 |
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N+B+O+W |
54 |
18 |
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L |
12 |
3 |
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I |
9 |
9 |
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G+H+T |
35 |
17 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
54 |
1+5 |
|
1+7+1 |
8+1 |
5+4 |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
-
.....
26 |
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9 |
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14 |
15 |
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19 |
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26 |
+ |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
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= |
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26 |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+8 |
|
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
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I |
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4+5 |
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1+2+6 |
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26 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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THE LIGHT IS RISING NOW RISING IS THE LIGHT
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
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1 |
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3 |
|
52 |
16 |
7 |
7 |
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1 |
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5 |
|
65 |
20 |
2 |
8 |
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= |
5 |
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|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
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Deduce |
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0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
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1 |
- |
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= |
6 |
- |
3 |
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34 |
16 |
7 |
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2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
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3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
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4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
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|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
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6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
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7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
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8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
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4 |
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9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
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45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
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|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
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|
|
|
|
|
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|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
|
|
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
SOLAR |
65 |
29 |
|
|
SYSTEM |
101 |
38 |
|
14 |
THE SOLAR SYSTEM |
199 |
82 |
10 |
1+4 |
|
1+9+9 |
8+2 |
1+0 |
5 |
THE SOLAR SYSTEM |
19 |
10 |
1 |
- |
|
1+9 |
1+0 |
- |
5 |
THE SOLAR SYSTEM |
10 |
1 |
1 |
- |
|
1+0 |
- |
- |
5 |
THE SOLAR SYSTEM |
1 |
1 |
1 |
3 |
SUN |
54 |
9 |
|
7 |
MERCURY |
103 |
40 |
4 |
5 |
VENUS |
81 |
18 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
4 |
MARS |
51 |
15 |
6 |
7 |
JUPITER |
99 |
36 |
9 |
6 |
SATURN |
93 |
21 |
3 |
6 |
URANUS |
94 |
22 |
4 |
7 |
NEPTUNE |
95 |
32 |
5 |
5 |
PLUTO |
84 |
21 |
3 |
59 |
First Total |
863 |
260 |
62 |
5+9 |
Add to Reduce |
8+6+3 |
2+6+0 |
6+2 |
14 |
Second Total |
17 |
8 |
8 |
1+4 |
Reduce to Deduce |
1+7 |
- |
- |
5 |
Essence of Number |
8 |
8 |
8 |
3 |
SUN |
54 |
9 |
|
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
First Total |
163 |
55 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
5+5 |
1+9 |
3 |
Second Total |
10 |
10 |
10 |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
1 |
1 |
1 |
IMMORTAL LIFE HANGS BY GODS THREAD READ THAT LIVING THREAD
DREAMER GODS DREAMER
READ THAT THREAD THAT READ
4 |
LIFE |
32 |
23 |
5 |
5 |
HANGS |
49 |
22 |
4 |
2 |
BY |
27 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
6 |
THREAD |
56 |
29 |
2 |
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
1 |
R |
18 |
9 |
|
5 |
DEATH |
38 |
20 |
|
|
|
|
|
|
|
|
5+6 |
2+9 |
1+1 |
|
|
|
|
|
|
|
1+1 |
1+1 |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
1 |
T |
2 |
2 |
|
2 |
HA |
9 |
9 |
|
3 |
RED |
27 |
18 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
49 |
13 |
|
3 |
|
27 |
18 |
|
5 |
DEATH |
38 |
20 |
2 |
3 |
THE |
33 |
15 |
6 |
8 |
GREATEST |
95 |
32 |
5 |
7 |
SUPRISE |
107 |
35 |
8 |
2 |
OF |
21 |
12 |
3 |
4 |
YOUR |
79 |
25 |
7 |
4 |
LIFE |
32 |
23 |
5 |
33 |
Add to Reduce |
|
|
|
3+3 |
Reduce to Deduce |
4+0+5 |
1+6+2 |
3+6 |
|
Essence of Number |
|
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SUCH
LAUGHTER AMONGST ALL THAT SLAUGHTER
|
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|
1 |
S |
19 |
10 |
|
8 |
LAUGHTER |
92 |
38 |
|
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|
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|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
|
9 |
SLAUGHTER |
111 |
48 |
|
|
Add to Reduce |
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- |
Reduce to Deduce |
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|
Essence of Number |
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Daily Mail, Monday, April 18, 2016
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
"Arabic numerals (1, 2, 3, 4, 5, 6 etc) originated in India, not the Arabian Peninsula. The system was adopted by the Persian and Arab mathematicians in Baghdad and passed on to the Arabs farther west.
The Fibonacci sequence, in which each number is the sum of the previous two (1, 1, 2, 3, 5, 8, 13, 21, 34), was first discussed by Indian scholars in the second century BC 1,400 years before Italian scholar Fibonacci.
Len Gower, Tenby Pembrokesure
Baby names meanings search results: The name Tallulah is a baby girl name. The name Tallulah comes from the Native American origin.
In Native American The meaning of the name Tallulah is: Running water.
T |
= |
1 |
- |
- |
TALLULAH |
- |
- |
- |
- |
- |
- |
- |
2 |
TA |
21 |
3 |
3 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
2 |
AH |
9 |
9 |
9 |
T |
= |
1 |
- |
8 |
TALLULAH |
|
|
|
- |
- |
- |
- |
- |
- |
8+7 |
2+4 |
2+4 |
T |
= |
1 |
- |
8 |
TALLULAH |
|
|
|
- |
- |
- |
- |
- |
- |
1+5 |
- |
- |
T |
= |
1 |
- |
8 |
TALLULAH |
|
|
|
"THE WORD FIRST USED FOR MAN IS LULLU"
"THE WORD FIRST USED FOR MAN IS 33333"
"THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...
I hereby name it Babylon, home of the great gods.
The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.
ENUMA ELISH
The Babylonian Creation Myth
"The word used for man is lullu"
LULLU 33333 LULLU
"The word used for man is lullu"
- |
- |
- |
- |
- |
LULLU |
- |
- |
- |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
- |
15 |
- |
- |
6 |
LULLU |
78 |
15 |
15 |
- |
1+5 |
- |
- |
|
- |
7+8 |
1+5 |
1+5 |
- |
6 |
- |
- |
6 |
LULLU |
15 |
6 |
6 |
- |
- |
- |
- |
|
- |
1+5 |
|
|
- |
6 |
- |
- |
6 |
LULLU |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
- |
- |
1 |
ONE |
1 |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
- |
- |
2 |
TWO |
2 |
- |
- |
- |
- |
- |
|
|
3 |
|
3 |
3 |
|
|
|
|
occurs |
x |
|
= |
|
1+5 |
|
4 |
|
|
|
- |
- |
|
- |
- |
4 |
FOUR |
4 |
- |
- |
- |
- |
- |
5 |
|
|
|
- |
- |
|
- |
- |
5 |
FIVE |
5 |
- |
- |
- |
- |
- |
6 |
|
|
|
- |
- |
|
- |
- |
6 |
SIX |
6 |
- |
- |
- |
- |
- |
7 |
|
|
|
- |
- |
|
- |
- |
7 |
SEVEN |
7 |
- |
- |
- |
- |
- |
8 |
|
|
|
- |
- |
|
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
|
- |
|
|
- |
- |
|
- |
- |
9 |
NINE |
9 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
3 |
|
3 |
3 |
|
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
3 |
3 |
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
3 |
|
3 |
3 |
|
|
|
|
occurs |
x |
|
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
3 |
3 |
|
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
3 |
3 |
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
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|
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man.The same word is used about the savage Enkidu in the Gilgamesh epic ...
- |
- |
- |
- |
- |
LULLU |
- |
- |
- |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
- |
15 |
- |
- |
6 |
LULLU |
78 |
15 |
15 |
- |
1+5 |
- |
- |
|
- |
7+8 |
1+5 |
1+5 |
- |
6 |
- |
- |
6 |
LULLU |
15 |
6 |
6 |
- |
- |
- |
- |
|
- |
1+5 |
|
|
- |
6 |
- |
- |
6 |
LULLU |
6 |
6 |
6 |
B |
= |
2 |
- |
- |
BABYLONIA |
- |
- |
- |
- |
- |
- |
- |
2 |
B+A |
3 |
3 |
3 |
- |
- |
- |
- |
2 |
B+Y |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
4 |
O+N+I+A |
39 |
21 |
3 |
B |
= |
2 |
|
9 |
|
|
|
|
|
- |
- |
- |
- |
- |
8+1 |
2+3 |
1+8 |
B |
= |
2 |
|
|
|
|
|
|
THE
LULLABY
- |
LULLABY |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
1 |
U |
21 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
A+B |
3 |
3 |
3 |
1 |
Y |
25 |
7 |
7 |
7 |
LULLABY |
85 |
22 |
22 |
|
- |
8+5 |
2+2 |
2+2 |
7 |
LULLABY |
13 |
4 |
4 |
|
- |
1+3 |
|
|
7 |
LULLABY |
4 |
4 |
4 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LULL |
57 |
12 |
3 |
B |
= |
2 |
- |
6 |
BEFORE |
51 |
33 |
6 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
STORM |
85 |
22 |
4 |
- |
- |
10 |
- |
21 |
First Total |
|
|
|
- |
- |
1+0 |
- |
2+1 |
Add to Reduce |
2+5+9 |
9+7 |
2+5 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
1+6 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Ulysses
www.victorianweb.org/authors/tennyson/ulyssestext.html
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|
|
|
|
|
|
|
|
10 |
|
88 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
97 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
80 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
3 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
5+2 |
Add to Reduce |
5+5+8 |
2+7+0 |
7+2 |
|
|
|
|
|
|
|
2+8 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
INRI 9599 INRI
"INRI" is an abbreviation for the Latin "Iesus Nazarenus, Rex Iudaeorum" ("Jesus the Nazarene, King of the Jews"), posted on the cross by order of the Roman procurator, Pontius Pilate.
"Freeserve Members' Newsletter - Friday 13th August,
1999
Date16 August 1999 11:40
To all-freeserve members"
THE USBORNE BOOK OF
FACTS AND LISTS
Lynn Bressler (no date)
Page
Did You Know
"China has the greatest number of frontiers. It rubs
shoulders with 13 other countries
GATEWAY TO ATLANTIS
Andrew Collins 2000
PEOPLE OF THE SERPENT
Page 224
Annals of the Cakchiquels
"In thePopol Vuh the Cakchiquel
are one of the 13 tribes, along with the Serpents and Quiche, that
departed in the darkness from Tulan-Zuyua following the confusion of tongues
in the Seven Caves.62"
Page 225
"Furthermore, we learn from another sixteenth-century Cakchiquel text known as the Title of the Lords of Totonicapan
that, along with the rest of the 7 tribes and 13 clans,
the tribe's first ancestors departed 'from the other part of the
sea, from the East66"
Page 227
Crossing the Causeway
"The Popol Vuh tells us that the 13 Tribes crossed' over on some stones, stones piled up in the sand',
which were subsequently named: 'Stone Courses, Sand Banks'.We are further
told that: Where the waters were divided, they crossed over.74 "
V |
= |
4 |
- |
- |
VOTAN |
- |
- |
- |
- |
- |
- |
- |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
V |
= |
4 |
- |
5 |
VOTAN |
|
|
|
- |
- |
- |
- |
- |
- |
7+2 |
1+8 |
1+8 |
V |
= |
4 |
- |
5 |
VOTAN |
|
|
|
GATEWAY TO ATLANTIS
Andrew Collins 2000
THE ODYSSEY OF VOTAN
Page338
"Votan is an enigma to Mesoamerican
scholars, and most tend to ignore his legendary story. What is more, he
was not simply a localised form of Itzamna, the great civiliser of the
Yucatec Maya, even though both of them were considered to have founded
the city of Mayapan. Neither was he a memory of Quetzalcoatl or Kukulcan,
the Feathered Serpent so intimately connected with the emergence of the
Nahua and Maya tribes. They seem to represent a quite separate wave of
influence that finally usurped the power of the Votanides.
Yet the common thread to all the early civilisers of
Mesoamerica is always their connection with birds and snakes. Like Itzamna,
Votan claimed to belong to the priestly line of Chanes, or 'Serpents'
,38 establishing 'his origin from Chivim' .39
What did all this mean - establishing 'his origin from
Chivim'? Only by retracing Votan's odyssey back to its starting point
will we be able to determine any real answers
Cuban Staging Post?
Votan is said to have begun the final stage of his odyssey
from Valum- Votan, the 'land of Votan', identified by Ordonez
as Cuba, and in particular Havana.40 As we have already noted, in 1857 Brasseur de Bourbourg asserted that:
'Modern travellers assure that they have seen sculpted rocks and ruined
buildings around Havana indicating the presence of ancient civilised populations
on this Island.'41 I have argued that Cuba was most probably the ancient
homeland of the ruling elite and earliest ancestors of the various Mesoamerican
tribal cultures. It can also be identified as Antilia, / Page
339 /the Island of the Seven Cities, one of the
Hesperides and, most important of all, the flagship of~the Atlantean island
empire. So to find that Votan might also have established some
kind of settlement or colony on Cuba before moving on to the American
mainland did not surprise me. Unfortunately, we have no idea how Ordonez
might have come to this conclusion, although it is just possible that
it was knowledge preserved among the Tzendales or Yucatec Maya.
Yet Ordonez's account of Votan's odyssey reveals that Cuba was
in fact merely a staging post for the foreigners, and that he and his
companions had come from much further afield, plausibly from the other
side of the Atlantic. We are informed, for instance, that after leaving
Valum- Votan on voyages back to his homeland he would first pass
the 'Dwelling Place of the Thirteen Snakes'.42 From here he would continue on to Valum-Chivim, identified by Ordonez
with the kingdom of Israel in the reign of King Solomon, c. 970 BC.43
Assuming that Votan did indeed arrive in Cuba and Mexico from some
distant land in the east, where might we locate the 'Dwelling Place of
the Thirteen Snakes'? Some writers have assumed it to be the 13 islands of the Canary Isles.44 Although
it is possible that Votan might have made transatlantic crossings via
the Canary Isles, the name evokes a vision not of 13 islands, but
of a single location inhabited by 13 'Snakes', connected perhaps
with Votan's own serpentine ancestry. Moreover, there are in fact
seven principal islands in the Canaries group and of these only six were
known to ancient geographers (see Chapter Five).
In Search of Valum-Chivim
Our only clue as to the whereabouts of Votan's original homeland
is the name by which it was known - Valum-Chivim, the 'land of Chivim'.
Since Votan also claimed 'his origin from Chivim', it would appear
to be either an ancestral line or a race of people. Brasseur de Bourbourg
tried unsuccessfully to find a root for this name in one of the Mesoamerican
languages.45 Ordonez on the other hand
felt that Chivim denoted the pre-Israelite peoples known as the Hivites.46
They occupied northern Canaan and Jordan and are often confused with the
Hittites, an Anatolian people that occupied parts of Canaan.47 The Hivites are thought to have been connected with another Canaanite
race known as the Horites,48 who may
well have been the Hurrites. They inhabited Canaan in the fifteenth and
fourteenth centuries BC, at a time when Egypt referred to this land as
Hurru.49"
DEALING IN DRUGS
Page 115 (ChapterVIII)
"ON 26 SEPTEMBER 1976, UNDER
the full gaze of the international media, the body of the Egyptian king
Rameses II, styled 'the Great', was shipped from the Cairo Museum to Paris
for a seven-month' state visit'. Its purpose was to determine why deterioration
had been noticed in the skin and around the neck of the dead pharaoh.
Some 20 of France's leading scientists had offered their services in an
attempt to find out what might have occurred (the problem was found to
be beetle invasion).
One of these scientists was Dr Michelle Lescot of the National History
Museum in Paris. She used an electron microscope to determine whether
any form of bacteria or virus was present in the wrappings, and was stunned
to find herself staring through the lens at tiny samples of the tobacco
plant. Confident of her findings, Dr Lescot went public and was immediately
attacked and ridiculed
by her fellow academics. In their opinion, there was absolutely no way
that tobacco could be present in the wrappings, unless through contamination.
It was suggested that the Egyptologists who in 1881 had found the mummy
among the so-called 'royal cache' in a tomb at Deir el-Bahri, in southern
Egypt, must have been smoking pipes at the time. If so, they could have
inadvert-ently dropped some tobacco which managed somehow to find its
way into the wrappings.
In an attempt to counter these claims, Dr Lescot was allowed to conduct
further tests using samples taken from deep inside the body. Once again
the microscopic examinations produced exactly the same results. Tiny traces
of tobacco were found to be present in these samples, completely dispelling
the initial belief that its pres- ence was due to tobacco falling from
a pipe.
These new results made it even more likely that tobacco had been introduced
to the wrappings during the funerary procedures that followed the death
of the king, who ruled for an incredible / Page 116 / 66 years,
c. 1290-1224 BC. Even more tests revealed that where the internal organs
of the body had been removed for placement in canopic jars, there was
a stuffing of vegetable matter that, aside from plantain, stinging nettles,
flax, black pepper seeds, camomile and wheat, included chopped tobacco
leaves. Since this mixture was introduced into the mummy in order
to help preserve its body tissue, it has been speculated that the tobacco
was used in the embalming process as both an insecticide and to prevent
putre-faction.l
The presence of tobacco in Rameses' mummy wrappings and body interior
came as a complete surprise to Egyptologists and botanists alike for one
basic reason - the plant was not known in the ancient world. It made no
sense whatsoever, and although the chance find has been mentioned in a
few popular books on strange mysteries of the past, no mainstream Egyptologist
has been willing to embrace or explain this intrusion into an otherwise
well-attested Egyptian history. The much greater problem that the tobacco
plant is considered to be indigenous only to the Americas has been quietly
swept aside by all.
The Cocaine Mummies
There the matter rested until 1992 when a
German doctor of toxicology named Svetlana Balabanova, working with the
Institute of Forensic Medicine at Ulm, began conducting a series of unique
tests on samples taken from Egyptian mummified remains pre-served at the
Munich Museum. They came from one complete body, one incomplete body and
seven detached heads of unknown provenance.2 The preserved body was that of Henuttawy, a priest-ess and singer in the
temple of Amun at Thebes, c.1000 BC. Her tomb had been uncovered in a
necropolis set aside for those of priestly rank at Deir el-Bahri, close
to modem Luxor, in southern Egypt. The early history of her mummy remains
uncertain. Records show.that in 1845 an English traveller named Dodwell
sold Henut-tawy's mummy to Ludwig I, the king of Bavaria. He and his family
built up a large collection of antiquities, and these subsequently formed
the basis of the museum's own collection, housed today in the old royal
palace.3
From the mummified remains examined at the Institute of Anthropology and
Human Genetics at Munich University, Dr Bala-banova took bone and skin
tissue, as well as samples of head and abdominal muscle. The results she
produced were extraordinary - so extraordinary that she felt it necessary
to send similar samples to three other laboratories, which quickly confirmed
her original findings. What all the tests appeared to show was that the
mummi- fied remains contained large quantities of drugs.In all nine cases / Page 117 / hashish was present, although this was not so
much of a surprise since scholars accept that it was freely available
to the pharaonic Egyptians in the form of hemp. Adding still further to
the mystery was the presence in eight of the nine bodies
of nicotine, the narcotic ingredient of the tobacco plant. What really
stunned the scientists, however, was the presence, in each and every one
of the bodies, of cocaine, a psychoactive alkaloid present in the leaf
of the coca plant.4"
"Dr Balabanova knew instantly the implications of her findings. Tobacco
was difficult enough to explain, but cocaine was quite another matter
for it was produced for the first time only in 1859 and did not circulate
among the high society circles of Europe until the late nineteenth century.
Its origins are exclusively South Ameri- can. In the years following the
conquest of Peru by Pizarro in 1532, Spanish travellers in the Andes of
Peru and Bolivia recorded that the native population seemed to be constantly
chewing dried leaves called' coca'.5 This they rolled into a ball and
placed in their mouth with a little ash or lime (caustic earth), a process
that unlocked the cocaine content. It apparently relieved hunger, thirst
and fatigue, and was also used as a mild stimulant, which induced euphoria
and anaesthesia, factors that eventually led to its use and abuse in the
Western world. During the American Civil War cocaine was taken by injured
soldiers to relieve pain.
Partially digested remains of coca leaves have been retrieved from rubbish
tips of ancient Peruvian cultures that go back as far as 2B00 BC, while
th~ extended cheeks of the coca chewer appear on stone idols from Colombia
that date to c. 1500 BC.6 Indeed, much evidence of this habit has recently
come to light during the excava- tion in Peru of a number of graves that
contain the bodies of mummified individuals dating to between 200 BC and
AD 1500.7 When subjected to tests similar to those conducted by Balabanova
and her colleagues on the Munich mummies, these, too, proved positive
for cocaine.8 Furthermore, many of these Peruvian bodies were found buried
with bunches of coca leaves still in their cheeks, presumably in the belief
that the deceased would benefit from their effects in the afterlife.9"
DEVILLIVEDEVILLIVELIVEEVILLIVEDDEVIL
THE
MAGIKALALPHABET
Pamphlet
"The Devil's Number?
Many features of Bible numerics are calculated by adding the numerical
values of individual words together. This is possible because the letters
of the Greek alphabet had a numerical meaning as well as being used
in writing words. For example. the Greek word for "dragon"
is "drakon:' and we can add its numeric value as follows:
975 = 13 x 75.
Thus we see that this numeric value is
a multiple of 13. but let us examine some other names by which the Bible refers to the devil:
There are innumerable instances where the
number 13 is woven into the Bible pattern. Here is another remarkable
instance:
In Genesis 10 the names of Canaan and his, descendants are given. They
have a numeric value, of 3.211. or 13 x 13 x 19.
In the 13th generation from Shem were two brothers, Peleg and
Joktan. and We are told that the later rebelled. The numeric value of
Joktan is 169, or 13 x 13. He had 13 sons, and the numeric
value of their names total 2.756. or 13 x 212, The verses
recording their history have a numeric value of 13 x 13 x 63."
THE LOST WORLDS OF 2001
THE ULTIMATE BOOK OF THE ULTIMATE
TRIP
"2001: A SPACE ODYSSEY
Arthur C. Clarke 1972
"Sorry to
interrupt the festivitie but we have a problem."
(HAL 9000, during Frank Poole's birthday .party)
"Houston, we've had a problem." (Jack Swigert, shortly after
playing the Zarathustra theme to his TV audience, aboard
Apollo 13 Command Module Odyssey)
PATTERNS OF PROPHECY
Alan Vaughan
1973
Prophecies of Apollo
Page 195
"Apollo 13, fulfilled the prediction
in such detail that this seems to be displacement-hitting on the next
target in-stead of the one being concentrated on, a common phenom- enon
in parapsychological experiments.
A few hours after launching on March 13, 1970, Apollo 13 had an explosion in the oxygen tank of a fuel-cell system. The world
joined in prayer for the safe return of the three men in a ship
that had lost most of its electrical power and that had to bypass the
moon without landing in order to return to earth. The flight was aborted."
THE ELEMENTS OF THE GODDESS
Caitlin Matthews 1989
Page38
"This ennead of aspects is endlessly adaptable for
it is made up of nine, the most adjustable and yet essentially unchanging
number. However one chooses to add up multiples of nine, for
example 54, 72, 108, they always add up to nine"
REACH FOR TOMORROW
Arthur C. Clarke
Introduction to1989 Edition
"I see the number 9000 I've
no idea why I selected it again for HAL's serial number, twenty
years later..."
OF TIME AND STARS
Arthur C. Clarke
Into the Comet
Page 67
"Sometime after the Second World War,
there was a con-test between an American with an electric desk calculator
and a Japanese using an abacus like this. The abacus won / Page / 68
/ 'Then it must have been a poor desk machine, or an incom-petent operator.'
'They used the best in the U.S. Army. But let's stop argu-ing. Give
me a test - say a couple of three-figure numbers to multiply.'
'Oh - 856 times 437"
Pickett's fingers danced over the beads, sliding them up and down the
wires with lightning speed. There were twelve wires in all, so that
the abacus could handle numbers up to 999,999,999,999 - or could
be divided into separate sections
where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time.
'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians
was poor at arithmetic, called out '375072'. A hasty check soon confirmed
that Martens had taken at least three times as long as Pickett to arrive
at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and
curiosity.
'Where did you learn that trick?' he asked. 'I thought those things
could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it?
All I did was to add 856 seven times in the unit column, three times
in the tens column, and four times in the hundreds column. You do the
same thing when you use pencil and paper. Of course, there are some
short cuts, but if you think I'm fast, you should have seen my granduncle.
He used to work in a Yokohama bank, and you couldn't see his fingers..."
1234 5 6789
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occurs |
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occurs |
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occurs |
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|
|
3+6 |
|
|
- |
|
3+6 |
|
S |
T |
U |
V |
W |
X |
Y |
Z |
|
|
|
|
|
|
|
|
|
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
8 |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
|
|
|
|
8 |
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
7 |
|
74 |
47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
8 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
1+7+2 |
9+1 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
16 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
17 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
26 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+6 |
|
|
2+6 |
Add to Reduce |
3+5+1 |
1+3+5 |
1+2+6 |
|
|
|
|
1+2 |
1+5 |
1+8 |
2+1 |
2+4 |
1+8 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
7 |
|
74 |
47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
8 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
1+7+2 |
9+1 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
16 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
17 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
26 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
18 |
9 |
|
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18 |
1 |
|
18 |
9 |
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First Total |
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|
1+2+6 |
|
|
2+6 |
Add to Reduce |
3+5+1 |
1+3+5 |
1+2+6 |
|
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|
1+2 |
1+5 |
1+8 |
2+1 |
2+4 |
1+8 |
|
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|
Second Total |
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Reduce to Deduce |
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Essence of Number |
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With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
UNIFIED FIELD THEORY
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7 |
|
68 |
41 |
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5 |
|
36 |
27 |
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|
6 |
|
56 |
29 |
|
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|
First Total |
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|
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|
1+1 |
1+8 |
Add to Reduce |
1+6+0 |
9+7 |
1+6 |
|
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|
Second Total |
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Reduce to Deduce |
|
1+6 |
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|
Essence of Number |
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CREATION RE ACTION RE CREATION
CREATION 95 ACTION 95 CREATION
CREATION RE ACTION RE CREATION
SAPTARSHI A STAR SHIP SHIP STAR A SAPTARSHI
PAST A RISH SAPTARSHI SAPTARSHI RISH A PAST
A PAST RISH RISH PAST A
OF TIME AND STARS
Arthur C. Clarke 1972
FOREWORD
"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
3 |
|
33 |
15 |
|
4 |
|
42 |
24 |
|
7 |
|
73 |
37 |
|
5 |
|
52 |
16 |
|
2 |
|
21 |
12 |
|
3 |
|
26 |
17 |
|
|
- |
|
|
|
|
- |
2+4+7 |
1+2+1 |
3+1 |
|
- |
|
|
|
|
- |
1+3 |
- |
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Page 15
The Nine Billion Names of God
'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'
Page16
'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "
I = 9 9 = I
R = 9 9 = R
OF
T9ME AND STA9S
A9thu9 C. Cla9ke,1972
Page 15
THE N9NE B9LL9ON NAMES OF GOD
'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that your - ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'
'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'
'9 dont qu9te unde9stand…'
'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t
'Natu9ally.'
'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'
'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'
'And you have been do9ng th9s for three centu99es?
'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'
'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?
'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.
'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 are what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'
9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'
'Exactly - though we use a spec9al alphabet of our own. Mod9fy9ng the electromat9c typewr9ters to deal w9th th9s 9s of course tr9v9al. A rather more 9nterest9ng problem 9s that of dev9s9ng su9table c9rcu9ts to el9m9nate r9d9culous com-b9nat9ons. For example, no letter must occur more than three t9mes 9n sucess9on.'
'Three? Surely you mean two.'
'Three 9s correct; 9 am afra9d 9t would take too long to expla9n why , even 9f you understood our language.'/ Page 17 / '9'm sure 9t would,' sa9d Wagner hast9ly. 'Go on.'
'Luck9ly, 9t w9ll be a s9mple matter to adapt your Automat9c Sequence Computer for th9s work, s9nce once 9t has been programmed properly 9t w9ll permute each letter 9n turn and pr9nt the result. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hundred days.'
'Dr Wagner was scarcely conscious of the faint sounds from the Manhatten streets far below. He was in a different world, a world of natural, not man-made mountains. High up in their remote aeries these monks had been patiently at work generation after generation, compiling their lists of meaningless words. Was there any limits to the follies of mankind ? Still, he must give no hint of his inner thoughts. The customer was always right…"
Page 68
Into the Comet
"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"
I
SAY
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
THREAD READ DEAR THREAD
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
Circa 1900
FOURTH EDITION
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
FOURTH EDITION
Circa 1900
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
l
isle t
hread: l
isle t
hread
A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Def
in
it
ion - of L
isle f
rom
Dictiona
ry.net
Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY
1974
Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
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4 |
|
32 |
23 |
|
|
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|
7 |
|
60 |
42 |
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
1 |
|
1 |
1 |
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|
6 |
|
56 |
29 |
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First Total |
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|
|
Add to Reduce |
1+7+6 |
1+0+4 |
2+3 |
|
|
|
|
Second Total |
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
|
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|
Essence of Number |
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1 |
R |
18 |
9 |
|
5 |
DEATH |
38 |
20 |
|
|
THREAD |
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LIFE HANGING BY A THREAD
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I |
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I |
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R |
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- |
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- |
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8 |
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5 |
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5 |
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8 |
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4+4 |
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= |
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= |
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- |
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8 |
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14 |
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14 |
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8 |
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6+2 |
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= |
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= |
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I |
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I |
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R |
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- |
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- |
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6 |
5 |
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1 |
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7 |
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|
7 |
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2 |
7 |
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1 |
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9 |
5 |
1 |
4 |
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6+0 |
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= |
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= |
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- |
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6 |
5 |
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1 |
|
7 |
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|
7 |
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2 |
25 |
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1 |
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18 |
5 |
1 |
4 |
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1+1+4 |
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= |
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= |
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I |
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- |
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I |
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- |
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- |
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- |
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R |
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- |
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- |
12 |
9 |
6 |
5 |
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8 |
1 |
14 |
7 |
9 |
14 |
7 |
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2 |
25 |
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1 |
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20 |
8 |
18 |
5 |
1 |
4 |
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1+7+6 |
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1+4 |
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= |
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- |
3 |
9 |
6 |
5 |
|
8 |
1 |
5 |
7 |
9 |
5 |
7 |
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2 |
7 |
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1 |
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2 |
8 |
9 |
5 |
1 |
4 |
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1+0+4 |
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= |
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= |
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20 |
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I |
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I |
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R |
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- |
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- |
1 |
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1 |
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- |
- |
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1 |
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occurs |
x |
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= |
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= |
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- |
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2 |
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- |
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occurs |
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= |
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= |
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occurs |
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= |
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= |
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occurs |
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= |
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5 |
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5 |
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5 |
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5 |
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occurs |
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= |
20 |
2+0 |
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- |
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occurs |
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7 |
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7 |
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occurs |
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21 |
2+1 |
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8 |
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occurs |
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16 |
1+6 |
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9 |
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occurs |
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= |
27 |
2+7 |
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4+5 |
2+0 |
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- |
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4+5 |
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2+0 |
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1+0+4 |
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4+1 |
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3 |
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6 |
5 |
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8 |
1 |
5 |
7 |
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5 |
7 |
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2 |
7 |
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1 |
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2 |
8 |
9 |
5 |
1 |
4 |
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Bhagavad-Gita, iv, 5.
SRI KRISHNA’S REMEMBERING
‘Many lives, Arjuna, you and I have lived, I remember them all, but thou dost not.’
I
INCA
INCARNATION TO INCARNATION
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
SHRI
KRISHNA
SHRI KRISHNA KRISHNA SHRI
Brahma
If the red slayer think he slays,
Or if the slain think he is slain
They know not well the subtle ways
I keep and pass and turn again.
R.W.Emerson
Bhagavad-Gita
Text 19
" ya enam vetti hantaram
yas cainam manyate hatam
ubhau tau na vijanito
nayam hanti na hanyate"
Bhagavad-Gita
As it is.
A. C. Bhaktivedanta Swami Prabhupada
Translation Chapter 2 Page 99/100
"Neither he who thinks the living entity the slayer nor he who thinks it slain is in knowledge, for the self slays not nor is slain."
‘who is the slayer and who is the victim. Speak’,
Sophocles
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D. Oupensky 1878-1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
THE TIBETAN BOOK OF THE DEAD
Or
The After Death Experience on the Bardo Plane,
according to Lama Kazi Dawa-Samdup's English Rendering
Compiled and edited Edited by W. Y. Evans-Wentz 1960
Facing Preface To The Paperback Edition
'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this callning to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.
'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.
The Book of the Craft of Dying (Comper's Edition).
'\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is dificrence here.'-Katha Upanishad, iv. 10-11 (Swami Sharvanallda's Translation)"
Facing Preface to the Second Edition
BONDAGE TO REBIRTH
"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
' A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth.' "
Brihadaranyaka Upanishad
FREEDOM FROM REBIRTH
'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'
Katha U panishad.
(Swami Prabhavananda's and Frederick
Manchester's Translations).
Page xi
SRI KRISHNA'S REMEMBERING
'Many lives Arjuna, you and I have lived.
I remember them all but thou dost not.'
Bhagavad Gita, iv, 5., iv, 5.
Page xx
"......... Denison........."
INCARNATION
THE DEAD RETURN
Daniel Easterman 1998
Page 99
"........David........."
Page 3
"The old man's name was Dennison"
THE
PATH OF PTAH
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF
THE
VIRGIN BIRTH IS TO BE REBORN OF WATER
AND
SPIRIT GODS HOLY SPIRIT
AFTER
HAVING ENDURED
THE DEATH OF THE
I ME EGO SELF I SELF EGO ME I
WEIGHED IN THE BALANCE AND NOT FOUND WANTING
EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE
ISISIS
THE RESURRECTION AND THE LIFE
UNLESS THAT HE AZIN SHE THAT IS THEE
IZ
BORN AGAIN AGAIN BORN
THOU CANST NOT ENTER THE KINGDOM OF EVEN
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
82 |
28 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
WE ARE THE DEAD SHORT TIME AGO WE LIVED FELT DAWN SAW SUNSET GLOW
LOVED AND WERE LOVED AND NOW
?
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
|
|
|
- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
|
|
|
- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
|
|
9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
P |
= |
7 |
- |
5 |
POWER |
77 |
32 |
5 |
F |
= |
6 |
- |
6 |
FAILED |
37 |
28 |
1 |
H |
= |
8 |
- |
4 |
HIGH |
32 |
32 |
5 |
F |
= |
6 |
- |
7 |
FANTASY |
86 |
23 |
5 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
Y |
= |
7 |
- |
3 |
YET |
50 |
14 |
5 |
S |
= |
1 |
- |
5 |
SWIFT |
77 |
23 |
5 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
M |
= |
4 |
- |
4 |
MOVE |
55 |
19 |
1 |
- |
- |
49 |
- |
40 |
First Total |
|
|
|
- |
- |
4+9 |
- |
4+0 |
Add to Reduce |
4+8+5 |
2+0+6 |
4+4 |
Q |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
4 |
EVEN |
46 |
19 |
1 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
E |
= |
5 |
- |
5 |
EQUAL |
56 |
20 |
2 |
F |
= |
6 |
- |
4 |
FREE |
34 |
25 |
7 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
J |
= |
1 |
- |
4 |
JARS |
48 |
12 |
3 |
- |
- |
34 |
- |
34 |
First Total |
|
|
|
- |
- |
3+4 |
- |
3+4 |
Add to Reduce |
3+8+4 |
1+5+0 |
3+3 |
Q |
- |
|
- |
7 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
7 |
ALREADY |
66 |
30 |
3 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
W |
= |
5 |
- |
4 |
WILL |
56 |
20 |
2 |
W |
= |
5 |
- |
4 |
WERE |
51 |
24 |
7 |
W |
= |
5 |
- |
7 |
WHEELED |
62 |
35 |
8 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
- |
- |
34 |
- |
38 |
First Total |
|
|
|
- |
- |
3+4 |
- |
3+8 |
Add to Reduce |
4+2+5 |
1+8+2 |
4+7 |
Q |
- |
|
- |
11 |
Second Total |
|
|
|
- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
5 |
OTHER |
66 |
30 |
3 |
S |
= |
1 |
- |
5 |
STARS |
77 |
14 |
5 |
- |
- |
22 |
- |
35 |
First Total |
|
|
|
- |
- |
2+2 |
- |
3+5 |
Add to Reduce |
4+5+9 |
1+4+4 |
4+5 |
Q |
- |
|
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
|
7 |
|
3 |
GOD |
26 |
17 |
8 |
M |
|
4 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
13 |
|
10 |
First Total |
|
|
|
|
|
1+3 |
|
1+0 |
Add to Reduce |
9+9 |
5+4 |
1+8 |
|
|
4 |
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
4 |
|
|
Essence of Number |
|
|
|
-
........
3 |
THE |
33 |
15 |
6 |
6 |
DIVINE |
63 |
36 |
9 |
9 |
DIMENSION |
102 |
48 |
|
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+9+8 |
9+9 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
|
Essence of Number |
|
|
|
A |
|
1 |
|
1 |
A |
1 |
1 |
1 |
M |
|
4 |
|
10 |
MYSTERIOUS |
164 |
47 |
2 |
V |
|
4 |
|
5 |
VOICE |
54 |
27 |
9 |
I |
= |
I |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
3 |
|
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
|
5 |
NIGHT |
58 |
31 |
4 |
|
|
18 |
|
26 |
|
|
|
|
|
|
1+8 |
|
2+6 |
|
3+3+3 |
1+3+5 |
2+7 |
|
|
9 |
|
|
|
|
|
|
- |
THE HOLY NAME |
- |
- |
- |
3 |
|
33 |
15 |
|
4 |
|
60 |
24 |
|
4 |
|
33 |
15 |
|
|
THE HOLY NAME |
|
|
|
|
- |
1+2+6 |
5+4 |
|
|
THE HOLY NAME |
|
|
|
Hannah, can you hear me? Wherever you are, look up, Hannah.
The clouds are lifting. The sun is breaking through.
We are coming out of the darkness into the light.
We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality.
Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly.
He is flying into the rainbow - into the light of hope, into the future,
the glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up.
Charlie Chaplin Great Dictator "Look up Hannah" Speech 1940
1836 THAT IS IS THAT IS 1836
Search ResultsKafka's Before the Law
9 Nov 2003 ... Kafka's Before the Law. A Review. This story is actually contained in a larger work, but it has been published alone as a work of fiction. ...
www.geocities.com/Athens/Parthenon/3761/Before_the_Law.htm
Kafka’s Before the Law
A Review
This story is actually contained in a larger work, but it has been published alone as a work of fiction.
In the segment entitled Before the Law, K, Kafka’s recurrent protagonist is talking with a priest. He relates a story about a man that comes to a great door seeking the Law. Before it is a gatekeeper that tells him he can’t be allowed to enter at that moment. The man seeking the Law is perplexed, but intentional, so he waits, and waits and waits for the entirety of his life to be permitted to access the Law. The gatekeeper also waits and allows the man to continue waiting, but not letting him pass through the gate. As the man is dying, he wonders why he was the only person seeking the Law. The gatekeeper tells him, that the gate he guards was only meant for him and since he is dying, he, the gatekeeper is going to close it.
K then engages the priest that has related this tale to him, in an analytic argument about the meaning of the story.
The arguments are piercing and full of moral implications. Kafka is showing us how an allegory can have profound meaning. It is unavoidable that the reader will not apply the experience of the man and gatekeeper to his personal life. Don’t we all seek some Law, some way to understand our existence? Are we not barred in this struggle to understand by a gatekeeper, in the form of fear, doubt and confusion? The gatekeeper as allegory goes even further. He explains that there are deeper realms, that even he (meaning the gatekeeper himself) can’t know, and the man will not be permitted to reach them. Again, the analytic portion of Before the Lawreflects upon this notion. The priest explains that the gatekeeper could be deceived. Are not we deceived about our life’s meaning and substance? Before the Lawis a clear narrative of human life. We come to a point in our lives in which we seek purpose and order, yet we are obstructed from this by own minds (our gatekeepers if you will). We want health, while declining in well being, we want youth, while growing ever aged, we need love, yet never finding it. We seek a reason, a Law if you will, that will help us, and thus we seek it, but discover our path is obscured by ourselves! Here is the allegory of the story. Kafka does this with such incredible power, you can’t stop reading it.
Kafka makes a strange allegorical tale, in which we can see the senselessness of being in the human condition. K is seeking understanding of himself in the larger work.He has irrational fears. He fears high winds and feels a sense of forboding without cause. He actually enters the church for shelter before engaging the priest. In this work, you are K, and the priest is your alter ego. He provides you with many different interpretations of why the man sought the Law. Yet, none suffice, for you must understand yourself why you seek the Law. As a final word, Kafka has K declare that the Law is not real, it is a lie. He is razor-edge close to an existential conclusion with this declaration. It adds irony to allegory to have K, make this statement to a priest, whom is trying to explain the meaning of the tale.
YEA
THOUGH I WALK THROUGH
THE VALLEY OF THE SHADOW OF DEATH I WILL FEAR NO EVIL FOR THOU ART
WITH ME ALWAYS WITH ME
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
4 |
|
47 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
7 |
|
97 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
30 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
2 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
39 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
|
81 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0+8 |
|
9+1 |
Add to Reduce |
1+1+0+7 |
4+5+0 |
1+2+6 |
|
|
|
1+8 |
|
|
2+4 |
2+1 |
|
4+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
THROUGH
DEATHS
DARK
VEIL I FEAR NO EVIL
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
39 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
|
81 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0+8 |
|
9+1 |
Add to Reduce |
3+7+9 |
1+3+6 |
4+6 |
|
|
|
|
|
|
1+2 |
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
I
ME
HUMAN INHUMANITY TO HUMAN
IN THE NAME OF GOD THE ALMIGHTY THE COMPASSIONATE THE MERCIFUL
MERCY MERCY MERCY MERCY MERCY MERCY MERCY MERCY MERCY
THE LIGHT IS RISING NOW RISING IS THE LIGHT
8 |
SPIRITUS |
131 |
41 |
|
7 |
SANCTUS |
97 |
16 |
|
|
First Total |
|
|
|
1+5 |
Add to Reduce |
2+2+8 |
5+7 |
1+2 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
|
|
Essence of Number |
|
|
|
I
ME YOU ME
CREATORS GODS CREATORS
THOU ART THAT THAT ART THOU
GOD SPIRIT ART THOU THOU ART GOD SPIRIT
MIND MATTER SPIRIT GOD SPIRIT MATTER MIND
THOU ART UNIVERSAL MIND GODS UNIVERSAL MIND ART THOU
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
The Elixir And The Stone
A History of Magic and Alchemy 1998
Michael Baigent And Richard Leigh
Page 24 (note 24)
"In the, sixteenth
dialogue of the Corpus Hermeticum for example,
Thoth Hermes declares that the meaning of his work 'will be
entirely unclear when the Greeks eventually desire
to translate our language to their own and thus produce in writing
the greatest distortion. But this discourse, expressed in our paternal language, keeps clear the meaning of its words.The very
quality of the speech and the sound of Egyptian words have in
themselves the energy of the objects they speak of. '
"Ö words even individual letters, can be the equivalent of storage
cells, repositories charged with a form of divine or magical power as a
battery is charged with electrical energy.
"In general Hermeticism is a mystical tradition , a mystical body
of teachings, a mystical mode of thought.
Instead it emphasizes and extols the mystical or numinous experience-direct
and first hand-apprehension of the sacred , direct knowledge of the
absolute."
Page 25
Hermetic and Gnostic
" The word gnosis simply means direct knowledge. To that extent Hermeticism is indeed
'gnostic' in orientation."
Page 26 / 27
" For hermeticism, Ö" '
Ö there was ultimately only one everything . Reality in all its aspects
was embraced as a single all - persuasive, all - encompassing totality,
a single whole in / which all dichotomies, all distinctions between body
and soul , spirit and matter were accommodated and harmoniously
integrated. Everything in its own way was valid. Everything was
incorporated in the comprehensive design.'
" Within this harmony, everything was interconnected with
everything else through a mesh of interlocking relationships. Such
relationships rested on the principle of anology. Things echoed other
things, reflected other things, mirrored other things, parelleled other
things, corresponded to other things. Reality comprised an intricate,
incessantly vibrating and living web of
correspondences. These correspondences were like notes or chords of
music, recurring in ever new combinations and permutations, and thus
contributing to a single grand symphony. Or they could be compared to a
multitude of different coloured threads, interwoven with each other to
create a single seamless fabric or tapestry. According to the Emerald
Tablet ' the above comes from below, and the below from above
- the work of the miracle of the One'
Page 27 note 26
Page 27 note 27
In a more widely circulated
version , 'that which is above is like that which is below,
and that which is below is like that which is above.'
"This premise has often been abridged to the simple formula ' As
above so below'. "
Page 28 note 28
The Way of Hermes
"The Emerald Tablet elaborates further: 'The
structure of the microcosm is in accordance with the structure of the
macro-cosm' In other words the lesser mirrors the greater and
the greater the lesser. The structure of the atom mirrors the solar
system, while the structure of the solar system mirrors that of the
atom. Man mirrors the cosmos and vice versa "
"The world within and the world without mirror each other. The
universe contained within the human psyche mirrors
the external universe,which can be conceived of as the 'psyche of the
living and sentient totality ..."
Page 28
For the Hermeticist,the
analogies or correspondences con-necting the diverse skeins
of reality were best expressed by symbols. Thus for example,the
interelatioship between microcosm and macrocosm was traditionally
denoted by the famous ' Seal of Solomon ' - a
six pointed star "
" Such symbols were not however, merely a convenient
shorthand .On the contrary, they were like sounds letters and words
" "Örepositeries or storage cells of power
,batteries holding a latent charge of energy. These symbols often called
'seals ' or 'signatures',were like cross - stitches
in the fabric of reality, the interlacing holding the mesh
together." "ÖAnd what was more ,these symbols
could be ' activated 'in a practical manner. Symbols could be
manipulated , like elements or molecules in chemistry to form new
compounds ,new amalgams of possibility.By virtue of such manipulation
change could be effected. The process whereby it was ,constituted a form
of magic: 'Recent research '
/Page 29 note 29 /
has done much to
show how important a place the practice as well as the theory
of Theurgy - that is the"performing of divine actions",
chiefly with the aid of magical " symbols "or symbola -
occupied ...'
From page 3 up to and including page 32 (notes 32 and 33)
there are 33 text notes .Page 33 denotes a Chapter change.
Page 30
"Hermetic thought provided
the basis for a new orientation"
As a result of the new orientation man ceased to be merely a
victim of reality. He ceased , likewise to be merely an observer of
world around him
Page 31 / 32
"And there were women alchemists
as well, female Faust figures . One practioner for example, was known as
Cleo-patra and is credited with a statement strikingly
similar to' / the opening of the Emerald Tablet: ' Tell us how the highest descends to the lowest and
how the lowest rises to the high-est. " note 31
From page 3 of this book up to and including page 32 (notes 32 and 33) there are 33 text
notes .Page 33 denotes a chapter change.
Joseph And His
Brothers
Thomas Mann
Page 124.
"And here indeed our tale
issues into mysteries, and our signposts are lost in the endlessness of
the past, where every origin betrays itself as but an apparent halt and
inconclusive goal, mysterious by its very nature - since that has
to do not with distance but with the sphere. For distance in a straight
line has no mystery. The mystery is in the sphere. But the sphere
consists in correspondence and redinte-gration; it is a doubled half
that becomes one , that is made by joining an upper and lower half, a
heavenly and earthly hemisphere, which complement each other in a whole,
in such a manner that what is above is also below; and what
happens in the earthly repeats itself in the heavenly sphere and
contrariwise This complementary inter-change of two halves which
together form a whole and a closed sphere is equivelant to actual change - that is to, to revolution. The sphere rolls - that lies
in the nature of spheres. Bottom is soon top and top bottom, in so far
as one can speak of top and bottom in such a connection. Not only do the
heavenly recognise themselves in each other, but , thanks to the
revolution of the sphere, the heavenly can turn into the earthly the,
earthly into the heavenly, from which it is clear that gods can become
men and on the other hand men can become gods again."
- |
- |
- |
- |
- |
WINNING |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
|
- |
7 |
WINNING |
|
|
|
|
1 |
2 |
3 |
4 |
|
6 |
7 |
8 |
|
- |
- |
4+5 |
- |
- |
- |
9+0 |
4+5 |
4+5 |
- |
- |
- |
- |
- |
2+0 |
- |
- |
- |
1+8 |
- |
- |
|
- |
7 |
WINNING |
|
|
|
|
1 |
2 |
3 |
4 |
|
6 |
7 |
8 |
|
- |
- |
- |
- |
- |
WINNING |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
7 |
WINNING |
|
|
|
|
1 |
2 |
3 |
4 |
|
6 |
7 |
8 |
|
- |
- |
4+5 |
- |
- |
- |
9+0 |
4+5 |
4+5 |
- |
- |
- |
- |
- |
2+0 |
- |
- |
- |
1+8 |
- |
- |
|
- |
7 |
WINNING |
|
|
|
|
1 |
2 |
3 |
4 |
|
6 |
7 |
8 |
|
- |
- |
- |
- |
- |
WINNING |
- |
- |
- |
- |
5 |
7 |
9 |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
5 |
6 |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
5 |
6 |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
5 |
6 |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
5 |
6 |
- |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
- |
- |
7 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
- |
- |
|
- |
7 |
WINNING |
|
|
|
|
|
7 |
|
- |
- |
4+5 |
- |
- |
- |
9+0 |
4+5 |
4+5 |
- |
2+0 |
- |
1+8 |
- |
- |
|
- |
7 |
WINNING |
|
|
|
|
|
7 |
|
ORIONISISOSIRIS
OXFORD DICTIONARY OF ASTRONOMY
Ian Ridpath 1997
Ra-Shalom Asteroid 2100, the second-largest of the
Aten group, diameter 2.4 km. It was discovered in 1978 by the American
astronomer Eleanor Kay Helin, nee Francis. Its name comes from the
Egyptian Sun-god Ra, and Shalom, the Hebrew greeting meaning 'peace'.
It is of C class. Ra-Shalom's orbit has a semimajor axis of 0.832AU,
period 0.76 years perihelion 0.47 AU, aphelion 1.20
AU, and inclination 15o .8
"Its name comes from the Egyptian Sun-god Ra,
and Shalom, the Hebrew greeting meaning 'peace' "
THE HOLY BLOOD AND THE HOLY GRAIL
Michael Baigent, Richard Leigh & Henry Lincoln
1982
Page 101
"Another and rather more mysterious
piece of our jigsaw puzzle also surfaced in Britain - this time in Staffordshire,
which had been a hotbed for Masonic activity in the early and mid-seventeenth
century. When Charles Radclyffe, alleged Grand Master of Sion, escaped
from Newgate Prison in 1714, he was aided by his cousin, the earl of Lichfield.
Later in the century the earl of Lichfield's line became extinct and his
title lapsed. It was bought in the early nineteenth century by descendants
of the Anson family, who are the present earls of Lichfield.
The seat of the present earls of Lichfield is Shugborough Hall in Staffordshire.
Formerly a bishop's residence, Shugborough was purchased by the Anson
family in 1697. During the following century it was the residence of the
brother of George Anson, the famous admiral who circum-navigated the globe.
When George Anson died in 1762, an elegiac poem was read aloud in Parliament.
One stanza of this poem reads:
Upon that storied marble cast thine eye.
The scene commands a moralising sigh.
E'en in Arcadia's bless'd Elysian plains,
Amidst the laughing nymphs and sportive swains,
See festal joy subside, with melting grace,
And pity visit the half-smiling face;
Where now the dance, the lute, the nuptial feast,
The passion throbbing in the lover's breast,
Life's emblem here, in youth and vernal bloom,
But reason's finger pointing at the tomb!24
GATEWAY TO ATLANTIS
Andrew Collins 2000
Page 226
"So where might we start looking for this island homeland
spoken of in so many creation myths of the Mesoamerican peoples? The Popol
Vuh tells us that the 13 tribes crossed' over on some stones,
stones piled up in the sand', which were subsequently named: 'Stone Courses,
Sand Banks we are further told that: Where the waters divided, they crossed
over. 74"
THE ATLANTIS BLUEPRINT
Rand Flem-Ath and Colin Wilson 2000
Page 225
"Bertrand became Pope Clement V in 1305, and
the king immediately began to plan one of the most amazing coups in history.
It was to arrest all the Templars - 15,000 of them - and accuse them of
heresy. It could be compared to a modern king plotting to arrest all the
officers in the army, navy and air force.
Incredibly, it succeeded. Sealed orders went out about four
weeks before the swoop, and the Templars were arrested on Friday 13 October 1307.*"
*It has been stated that this is the reason that Friday the 13th is an unlucky day, but there is no evidence for this - Friday was considered an unlucky day by Christians because Jesus
was said to have been crucified on a Friday while the unlucky number 13 was the number present at the last supper."
THIRTEEN 99 THIRTEEN
THIRTEEN 45 THIRTEEN
THIRTEEN 9 THIRTEEN
CHAT MAGAZINE
FATE
May/June 2004
IT'S FATE TALKING NUMBERS
Page 60 /61 6+0+6+1=13
13
LUCKY FOR SOME
"The number 13
The number 13 fills many of us with
fear - who enjoys working on Friday the 13th?..."
"13 gets a bad press wherever
it goes. It's even removed from hotels and street addresses all around
the world.
It could have something to do with Judas being the 13th
disciple at the Last Supper, or there being 13 Full Moons a year,
the time when witches venture out! But the bad-mouthing's relatively recent.
Earlier societies sang the number's praises.
So it's time to hear it for 13. Here's why it's a remarkable number..."
Extra day!
"On average, the moon covers 13 degrees per day. Although
there are 12 months in a year, based on the movements of the sun,
there are 13 moons a year - one every 28 days, plus a day left
over: Hence the expression 'a year and a day'.
When the 13th Full Moon occurs -two in one month - it's called
a 'blue moon'..."
Many ancient cultures used a calendar based on these 13 lunar cycles.
The first civilisation known to man (around 3000BC), was an advanced society
of people known as the Sumerians, who possessed extraordinary Astronomical
knowledge..."
They lived in Mesopotamia, an ancient
land located where Iran and Iraq are today. They followed
a solar-
lunar calendar alternating between 12 and 13 months.
These 13 moon cycles gave
birth to the legends of the 13 Original Clan Mothers..."
" who represented the talents and abilities that we all can develop
during our lives - if we try! Traditionally, 13 was considered
a powerful number with strong connections to women and fertility, as the
female menstrual cycle follows the phases of the moon. We bleed
approximately 13 times per year, roughly every 28 days (and don't
we know it!)
Freya - the Norse goddess of love and fertility - was associated with
the number 13 because of this, and she's specifically linked to
Friday the 13th. Back then, it was a sacred day..."
Even the origin of our existence is related
to the number 13. One sperm (13 chromosomes) + one ovum
(13 chromosomes) = a human life..."
Number crunch
"That brainy Greek philosopher Pythagoras said, 'The world is
built upon the power of numbers,' and believed they possessed individual
qualities. He created the system of divination - known now as numerology
- where all words, names and numbers are reduced to single digits.
Using this system, the number 13 is the higher vibration of 4
(as 1 + 3 = 4), 4 being the root of all numbers associated with
the
Earth and the four elements.
Also, 13 symbolises love for hte world and is associated
with genius. People born on this date are said to be innovators and explorers,
successful in scientific research..."
Word up
The Gematria is an ancient Hebrew system for discovering the
hidden meanings behind words, using numerical
values for letters of the alphabet (a bit like an ancient Morse code,
then!). It was used to search for the secret holy names of
God, which were believed to carry incredible power.
The Greeks used Gematria to interpret dreams. Kabbalists - those
studying Jewish mysticism - developed the system further. Thirteen is considered to be directly connected to God. It means 'love of unity';
as the Hebrew words for 'love' and 'one'
both total 13..."
"Unlike today, where only a brave sportsman
will wear the number 13 on his shirt, many, many moons ago, anything
consisting of 13 was considered very lucky!
Jesus had 12 disciples, and he said his group represented 'the13 veins of humanity'.
There were 13 knights of the Round Table, including King Arthur.
(If it was an oblong table, some might have felt a bit left
out!)
Robin Hood had12 merry men to help him rob the rich!
Romulus, / Page 61/ god Osiris.
There are 12 Namshans (advisors) around the spiritual leader of Tibet,
the Dalai Lama.
A witches' coven tradi-tionally had 13 mem-bers.
The number 13 is said by some to be ded-icated
to the Virgin Mary, as she's believed to have died
on 13 August.
In Judaism, there are 13 examples of God's divine mercy.
Maimonides - the 12th-century Jewish physician, rabbi and philosopher
- had 13 principles of faith that he considered the minimum requirements
of Jewish belief. The Hebrew bible has 39 books, which is 3 x 13...."
"In Indian temples, there are 13 Buddhas. There are said to be 13 stages a man must pass through
to achieve Buddhahood...."
"In the Tibetan faith, 13 is the most favourable number of
them all. It represents the Goddess Penden Lhamo - who's protector that's a tough task - most of them
don't progress past infancy!) In the Tibetan faith, 13 is the
most favourable number of them
all. It represents the Goddess Penden Lhamo - who's protector of the Dalai Llama and the Tibetan nation."
Double power
"The ancient Aztec and Mayan, people of South America thought. the number 13 was
so powerful, they used two calendars - one based on 365 days
and another on cycles of 13..."
3 x 6 x 5 = 90
Article continues
"It was thought to be the most astronomically
precise calendar ever created and is still used for magical purposes by
some remote Mayan tribes.
The Mayans believed the entire span of time would last for 13 Baktun cycles (one Baktun = 144,000 days). The cycle of
time we're in now is said to have begun on 13 August 3114 BC, and is to end on 22 December 2012..."
"The Aztec calendar also had a week consisting of 13 days, which
was ruled by Tlazolteotl - she was associated with witchcraft and purification of sin. She was
the power behind all forms of bad behaviour, and her special weapon was
sex..."
"The 13th day was dedicated to Tezcatlipoca, the Aztec
god of the night and material things (we're with him on that!) He carried
a magic mirror which gave off smoke and killed enemies. Maybe that's why
he was known as the Smoking Mirror...
Praise be!
Various faiths in years gone by made 13 a part of their religious
ceremonies. In ancient Babylon, 13 people were chosen to represent
the gods. For the Egyptians, 13 was associated with immortality,
as they believed there were 12 rungs on the ladder to eternal life and
knowledge. To take that all- important 13th step represented the
transition through death into beyond..."
"The ancient Celtic Oghamalphabet, used by them as a secret language
and when worshipping, was also known as the 'sacred tree alphabet' and
was based on 13 trees native to Britain.
New zodiac
We all know our star sign, but did you know there have been 13 zodiac signs? The sun appears to pass through 13 constellations
on the ecliptic (the path it takes through the stars).
The missing constellation, which lies between Libra and Sagittarius,
is called Ophiuchus - the Serpent Bearer: He's associated with Aesclepius,
the Greek God of healing, whose symbol (snakes coiled around a staff or
rod..." ), is used to represent places of healing and medicine.
The Greek philosopher Plato insisted it be included in the zodiac,
but his cries for the case of Ophiuchus were ignored. This has divided
astronomers and astrologers for thousands of years."
THIRTEEN 99 THIRTEEN
THIRTEEN 45 THIRTEEN
THIRTEEN 9 THIRTEEN
NOTHING
New Scientist
edited by Jeremy Webb 2013
Michael de Podesta
5
Voyages of Discovery
Page 171 "It is only when random thermal vibrations are reduced that the fantastic nature of atoms themselves is manifest. I would call the properties 'extraordinary' but they are not - they are completely ordinary. We are just unaware of how astonishing 'ordinary' matter is.
The truth is that the world in which we live is described by quantum mechanics - the laws of Newton and mange that rule our familiar classical world are only icproximations. The cooling of a substance exposes the /Page 172/
quantum mechanical nature of matter. In helium, the consequences are dramatic. The electric repulsion between helium atoms is so weak that the quantum uncertainty in the position of the atoms lets them literally swap places without having to experience the inconvenience of going around each other. This ability of atoms to swap places in a structure is a characteristic property of a liquid — it's how liquids change shape so easily. And this quantum swapping of places causes both types of helium to remain liquid to the lowest temperatures investigated at normal pressures, and they are expected to remain liquid even at absolute zero."
Daily Mail Friday, April 1, 2016
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
QUESTION Is water the only liquid comprised of two gases? If so, why?
FURTHER to the earlier answer, the examples given were compounds of hydrogen, but other liquid compounds can be made with two gases excluding hydrogen.
For example, nitrogen and chlorine can be combined to form nitrogen tri-chloride (aka tri-chloramine) NC13, a pyramidal molecule similar in structure to ammonia (NH3) — a liquid at room temperature. Pure nitrogen tri-chloride is an explosive which is sensitive to light, heat and moderate shock. The chemist who first synthesised it in 1812, Pierre Louis Dulong, lost two fingers and an eye in explosions.
An NC13 explosion blinded Sir Humphry Davy temporarily, which caused him to hire Michael Faraday as a co-worker. They were both injured in another such explosion shortly after.
Alan Wood, London.
G |
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= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
P |
= |
7 |
- |
2 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
9 |
PHONETICS |
|
|
|
|
1 |
2 |
3 |
10 |
6 |
7 |
8 |
9 |
- |
- |
4+6 |
- |
- |
- |
1+0+9 |
5+5 |
4+6 |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
|
- |
9 |
PHONETICS |
|
|
|
|
1 |
2 |
3 |
1 |
6 |
7 |
8 |
9 |
- |
- |
1+0 |
- |
- |
- |
1+0 |
1+0 |
1+0 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
1 |
2 |
3 |
1 |
6 |
7 |
8 |
9 |
ENTANGLEMENTS
- |
- |
- |
- |
- |
ENTANGLEMENTS |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
13 |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
13 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
30 |
6 |
7 |
8 |
9 |
- |
- |
5+0 |
- |
1+3 |
- |
1+4+9 |
5+0 |
5+0 |
- |
- |
- |
- |
- |
3+0 |
- |
- |
- |
- |
- |
- |
|
- |
4 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
3 |
6 |
7 |
8 |
9 |
- |
- |
|
- |
- |
- |
1+4 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
2 |
4 |
3 |
4 |
3 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
ENTANGLEMENTS |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
S |
= |
1 |
13 |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
|
- |
13 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
30 |
7 |
- |
- |
5+0 |
- |
1+3 |
- |
1+4+9 |
5+0 |
5+0 |
- |
- |
- |
- |
- |
3+0 |
- |
- |
- |
|
- |
4 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
3 |
7 |
- |
- |
|
- |
- |
- |
1+4 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
2 |
4 |
3 |
4 |
3 |
7 |
- |
- |
- |
- |
- |
ENTANGLEMENTS |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
13 |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
|
- |
13 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
30 |
6 |
7 |
8 |
9 |
- |
- |
5+0 |
- |
1+3 |
- |
1+4+9 |
5+0 |
5+0 |
- |
- |
- |
- |
- |
3+0 |
- |
- |
- |
- |
- |
- |
|
- |
4 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
3 |
6 |
7 |
8 |
9 |
- |
- |
|
- |
- |
- |
1+4 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
2 |
4 |
3 |
4 |
3 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
ENTANGLEMENTS |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
S |
= |
1 |
13 |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
|
- |
13 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
30 |
7 |
- |
- |
5+0 |
- |
1+3 |
- |
1+4+9 |
5+0 |
5+0 |
- |
- |
- |
- |
- |
3+0 |
- |
- |
- |
|
- |
4 |
ENTANGLEMENTS |
|
|
|
|
2 |
4 |
3 |
4 |
3 |
7 |
- |
- |
|
- |
- |
- |
1+4 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
2 |
4 |
3 |
4 |
3 |
7 |
QUANTUM
ENTANGLEMENT
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
QUANTUM |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ENTANGLEMENT |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
Q |
= |
8 |
1 |
1 |
Q |
17 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
U |
= |
3 |
2 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
9 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
26 |
- |
7 |
- |
107 |
26 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
49 |
- |
12 |
- |
130 |
49 |
49 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Q |
= |
8 |
- |
7 |
QUANTUM |
|
|
|
|
2 |
6 |
9 |
8 |
35 |
6 |
7 |
8 |
9 |
E |
= |
5 |
- |
12 |
ENTANGLEMENT |
|
|
|
- |
- |
- |
- |
- |
3+5 |
- |
- |
- |
- |
- |
- |
|
- |
19 |
First Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
1+3 |
- |
1+9 |
Add to Reduce |
2+3+7 |
7+5 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
10 |
Second Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
|
- |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
8 |
- |
- |
- |
- |
- |
QUANTUM |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ENTANGLEMENT |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
8 |
Q |
= |
8 |
1 |
1 |
Q |
17 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
U |
= |
3 |
2 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
U |
= |
3 |
9 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
26 |
- |
7 |
- |
107 |
26 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
49 |
- |
12 |
- |
130 |
49 |
49 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Q |
= |
8 |
- |
7 |
QUANTUM |
|
|
|
|
2 |
6 |
9 |
8 |
35 |
7 |
8 |
E |
= |
5 |
- |
12 |
ENTANGLEMENT |
|
|
|
- |
- |
- |
- |
- |
3+5 |
- |
- |
- |
- |
|
- |
19 |
First Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
1+3 |
- |
1+9 |
Add to Reduce |
2+3+7 |
7+5 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
10 |
Second Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
|
- |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
QUANTUM |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ENTANGLEMENT |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
Q |
= |
8 |
1 |
1 |
Q |
17 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
U |
= |
3 |
2 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
9 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Q |
= |
8 |
- |
7 |
QUANTUM |
|
|
|
|
2 |
6 |
9 |
8 |
35 |
6 |
7 |
8 |
9 |
E |
= |
5 |
- |
12 |
ENTANGLEMENT |
|
|
|
- |
- |
- |
- |
- |
3+5 |
- |
- |
- |
- |
- |
- |
|
- |
19 |
First Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
1+3 |
- |
1+9 |
Add to Reduce |
2+3+7 |
7+5 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
10 |
Second Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
|
- |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
8 |
- |
- |
- |
- |
- |
QUANTUM |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ENTANGLEMENT |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
8 |
Q |
= |
8 |
1 |
1 |
Q |
17 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
U |
= |
3 |
2 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
U |
= |
3 |
9 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Q |
= |
8 |
- |
7 |
QUANTUM |
|
|
|
|
2 |
6 |
9 |
8 |
35 |
7 |
8 |
E |
= |
5 |
- |
12 |
ENTANGLEMENT |
|
|
|
- |
- |
- |
- |
- |
3+5 |
- |
- |
- |
- |
|
- |
19 |
First Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
1+3 |
- |
1+9 |
Add to Reduce |
2+3+7 |
7+5 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
10 |
Second Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
|
- |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
QUANTUM |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ENTANGLEMENT |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
2 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
- |
- |
- |
U |
= |
3 |
9 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
- |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
Q |
= |
8 |
1 |
1 |
Q |
17 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Q |
= |
8 |
- |
7 |
QUANTUM |
|
|
|
|
2 |
6 |
9 |
8 |
35 |
6 |
7 |
8 |
9 |
E |
= |
5 |
- |
12 |
ENTANGLEMENT |
|
|
|
- |
- |
- |
- |
- |
3+5 |
- |
- |
- |
- |
- |
- |
|
- |
19 |
First Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
1+3 |
- |
1+9 |
Add to Reduce |
2+3+7 |
7+5 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
10 |
Second Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
|
- |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
8 |
- |
- |
- |
- |
- |
QUANTUM |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ENTANGLEMENT |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
7 |
8 |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
U |
= |
3 |
2 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
- |
U |
= |
3 |
9 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
- |
L |
= |
3 |
7 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
M |
= |
4 |
9 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
1 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
N |
= |
5 |
2 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
N |
= |
5 |
5 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
G |
= |
7 |
6 |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
Q |
= |
8 |
1 |
1 |
Q |
17 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Q |
= |
8 |
- |
7 |
QUANTUM |
|
|
|
|
2 |
6 |
9 |
8 |
35 |
7 |
8 |
E |
= |
5 |
- |
12 |
ENTANGLEMENT |
|
|
|
- |
- |
- |
- |
- |
3+5 |
- |
- |
- |
- |
|
- |
19 |
First Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
1+3 |
- |
1+9 |
Add to Reduce |
2+3+7 |
7+5 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
10 |
Second Total |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
- |
- |
|
- |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
2 |
6 |
9 |
8 |
8 |
7 |
8 |
URI
Andrija Puharich
Copyright 1974 By Lab Nine Ltd
Page 132
"This is how we remembered it at the time: Abraham was living near Hebron at Mamre. He was lying in his tent in the heat of
the day when three men appeared before him. They seemed to be real men. Abraham treated them hospitably with food and drink as though they were real men. Then one of them predicted that Sarah, who was around ninety years old, would have a child. She, of course, laughed this off as blarney. The three men indicated that they were on a serious mission for the Lord."
MARIO AND THE MAGICIAN
AND
OTHER STORIES
Thomas Mann
1875 - 1955
Page366
"You speak of Nature, but you strike her in the face with your demands, you want me to strike her in the face, by stifling the spring of pain with which she has miraculously blest my soul! What a sin that would be, what ingratitude, what disloyalty to her, to Nature, and what a denial of my faith in her beneficent omnipotence! You remember how Sarah sinned? She laughed to herself be-hind the door and said: "After I am waxed old shall I have pleasure, my lord being old also?" But the Lord God was angry and said: "Wherefore did Sarah laugh?" In my opinion, she laughed less on account of her own withered old age than because her lord, Abraham, was likewise so old and stricken in years, already ninety-nine. And what woman could not but laugh at the thought of indulging in lust with a ninety-nine year-old man, for all that a man's love life is less strictly limited / Page367 than a woman's. But my lord is young, is youth itself, and how much more easily and temptingly must the thought come to me "
"Abraham, was likewise so old and stricken in years, already ninety-nine"
"...with a ninety-nine year-old man"
MINDOTHDREAMWHATDOTHMINMEAN
Holy Bble
1 Corinthians 15:51
"Behold, I shew you a mystery; We shall not all sleep, but we shall all be changed,"
HOLY BIBLE
Scofield References
GENESIS
C 17 V 23
Page 27
AND ABRAHAM WAS NINETY YEARS OLD AND NINE
WHEN HE WAS CIRCUMCISED IN THE FLESH OF HIS FORESKIN
"NINETY YEARS OLD AND NINE"
?
|
|
|
|
|
|
C |
3 |
3 |
3 |
|
I+R |
27 |
18 |
9 |
|
C |
3 |
3 |
3 |
|
U |
21 |
3 |
3 |
|
M |
13 |
4 |
4 |
|
C |
3 |
3 |
3 |
|
D+I+E+S |
37 |
19 |
1 |
11 |
|
|
|
|
|
|
9+8 |
4+4 |
1+7 |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
C |
= |
3 |
|
|
|
|
|
|
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
R |
18 |
9 |
9 |
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
U |
21 |
3 |
3 |
- |
- |
- |
- |
- |
M |
13 |
4 |
4 |
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
S |
19 |
10 |
1 |
- |
- |
- |
- |
- |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
D |
4 |
4 |
4 |
C |
= |
3 |
- |
11 |
|
|
|
|
|
|
- |
|
|
|
9+8 |
4+4 |
1+7 |
C |
= |
3 |
- |
2 |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
C |
= |
3 |
- |
2 |
|
|
|
|
FORESKIN FORCES KIN KIN FORCES FORESKIN
C |
= |
3 |
|
|
|
|
|
|
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
R |
18 |
9 |
9 |
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
U |
21 |
3 |
3 |
- |
- |
- |
- |
- |
M |
13 |
4 |
4 |
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
S |
19 |
10 |
1 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
N |
14 |
5 |
5 |
C |
= |
3 |
- |
12 |
|
|
|
|
|
|
- |
- |
|
|
1+3+6 |
7+3 |
6+4 |
C |
= |
3 |
- |
3 |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
C |
= |
3 |
- |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
1 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
R |
|
9 |
3 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
4 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
U |
|
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
M |
|
4 |
6 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
7 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
9 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
11 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
N |
|
5 |
12 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+4 |
|
|
|
1+3+6 |
7+3 |
6+4 |
|
|
|
|
|
|
|
|
|
3+6 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
1 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
I |
|
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
R |
|
9 |
3 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
C |
|
3 |
4 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
U |
|
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
M |
|
4 |
6 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
C |
|
3 |
7 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
I |
|
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
S |
|
1 |
9 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
I |
|
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
O |
|
6 |
11 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
N |
|
5 |
12 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6+4 |
|
|
|
1+3+6 |
7+3 |
6+4 |
|
|
|
|
|
|
3+6 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
9 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
1 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
4 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
U |
|
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
C |
|
3 |
7 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
M |
|
4 |
6 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
N |
|
5 |
12 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
11 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
R |
|
9 |
3 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+4 |
|
|
|
1+3+6 |
7+3 |
6+4 |
|
|
|
|
|
|
|
|
|
3+6 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
9 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
C |
|
3 |
1 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
C |
|
3 |
4 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
U |
|
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
C |
|
3 |
7 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
M |
|
4 |
6 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
N |
|
5 |
12 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
O |
|
6 |
11 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
I |
|
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
R |
|
9 |
3 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
I |
|
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
I |
|
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6+4 |
|
|
|
1+3+6 |
7+3 |
6+4 |
|
|
|
|
|
|
3+6 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
|
|
|
|
|
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
R |
18 |
9 |
9 |
- |
- |
- |
3 |
- |
C+U+M+S+C |
59 |
14 |
5 |
- |
- |
- |
- |
- |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
B |
2 |
2 |
2 |
- |
- |
- |
- |
- |
E+D |
9 |
9 |
9 |
C |
= |
3 |
12 |
13 |
|
|
|
|
|
|
- |
|
|
|
1+2+7 |
6+4 |
5+5 |
C |
= |
3 |
3 |
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
C |
= |
3 |
3 |
4 |
|
|
|
|
C |
= |
3 |
- |
|
|
|
|
|
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
R |
18 |
9 |
9 |
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
U |
21 |
3 |
3 |
- |
- |
- |
- |
- |
M |
13 |
4 |
4 |
- |
- |
- |
- |
- |
S |
19 |
10 |
1 |
- |
- |
- |
3 |
- |
C |
3 |
3 |
3 |
- |
- |
- |
- |
- |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
B |
2 |
2 |
2 |
- |
- |
- |
- |
- |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
D |
4 |
4 |
4 |
C |
= |
3 |
12 |
13 |
|
|
|
|
|
|
- |
|
|
|
1+2+7 |
7+3 |
6+4 |
C |
= |
3 |
3 |
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
C |
= |
3 |
3 |
4 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
13 |
CIRCUMFERENCE |
123 |
69 |
6 |
2 |
OF |
21 |
12 |
3 |
1 |
A |
1 |
1 |
1 |
6 |
CIRCLE |
50 |
32 |
5 |
25 |
First Total |
|
|
|
2+5 |
Add to Reduce |
2+2+8 |
1+2+9 |
2+1 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
- |
|
Essence of Number |
|
|
|
13 |
CIRCUMFERENCE |
- |
- |
- |
|
C |
3 |
3 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
C |
3 |
3 |
|
|
U |
21 |
3 |
|
|
M+F+E |
24 |
15 |
|
|
R |
18 |
9 |
|
|
E+N+C+E |
18 |
9 |
|
13 |
CIRCUMFERENCE |
123 |
69 |
51 |
1+3 |
- |
1+2+3 |
6+9 |
5+1 |
4 |
CIRCUMFERENCE |
6 |
15 |
6 |
- |
- |
- |
1+5 |
- |
4 |
CIRCUMFERENCE |
6 |
6 |
6 |
"LIKE A CIRCLE IN A SPIRAL LIKE A WHEEL WITHIN A WHEEL"
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
42 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
29 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
24 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+6 |
|
9+1 |
Add to Reduce |
6+8+9 |
2+6+6 |
9+5 |
|
|
|
|
1+2 |
|
1+2 |
2+8 |
|
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Reduce to Deduce |
2+3 |
1+4 |
1+4 |
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
42 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
29 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
24 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
6+6 |
|
9+1 |
Add to Reduce |
6+8+9 |
2+6+6 |
9+5 |
|
|
|
|
1+2 |
1+2 |
2+8 |
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Reduce to Deduce |
2+3 |
1+4 |
1+4 |
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
120 |
48 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+6 |
|
9+1 |
Add to Reduce |
3+9+6 |
1+5+3 |
5+4 |
|
|
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
120 |
48 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
6+6 |
|
9+1 |
Add to Reduce |
3+9+6 |
1+5+3 |
5+4 |
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
120 |
48 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+6 |
|
9+1 |
Add to Reduce |
3+9+6 |
1+5+3 |
5+4 |
|
|
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
120 |
48 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
6+6 |
|
9+1 |
Add to Reduce |
3+9+6 |
1+5+3 |
5+4 |
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
THE E AT DELPHI
- |
- |
- |
- |
- |
DELPHI |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
3+6 |
- |
- |
- |
5+4 |
3+6 |
3+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
DELPHI |
- |
- |
- |
- |
3 |
4 |
5 |
7 |
8 |
9 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
4 |
- |
- |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
5 |
6 |
- |
- |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
8 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
3 |
4 |
5 |
7 |
8 |
9 |
- |
- |
3+6 |
- |
- |
- |
5+4 |
3+6 |
3+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
3 |
4 |
5 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
DELPHI |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
6 |
- |
- |
P |
= |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
3+6 |
- |
- |
- |
5+4 |
3+6 |
3+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
DELPHI |
- |
- |
- |
- |
3 |
4 |
5 |
7 |
8 |
9 |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
- |
- |
- |
- |
- |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
4 |
- |
- |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
5 |
6 |
- |
- |
P |
= |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
8 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
3 |
4 |
5 |
7 |
8 |
9 |
- |
- |
3+6 |
- |
- |
- |
5+4 |
3+6 |
3+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
3 |
4 |
5 |
7 |
8 |
9 |
4 |
WISE |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
28 |
10 |
|
|
E |
5 |
5 |
|
4 |
WISE |
56 |
20 |
11 |
- |
- |
5+6 |
2+0 |
1+1 |
4 |
WISE |
11 |
2 |
2 |
- |
- |
1+1 |
- |
- |
4 |
WISE |
2 |
2 |
2 |
WISE W IS E WISE
WISE W IS E WISE
5IS5 5 IS 5 5IS5
WISE W IS E WISE
WISE W IS E WISE
|
WISE |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
- |
- |
- |
|
E |
5 |
5 |
|
2 |
WISE |
28 |
10 |
10 |
- |
- |
2+8 |
2+0 |
1+0 |
2 |
WISE |
10 |
1 |
1 |
- |
- |
1+0 |
- |
- |
2 |
WISE |
1 |
1 |
1 |
|
WISDOM |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
- |
- |
- |
|
D+O+M |
32 |
14 |
|
4 |
WISDOM |
55 |
19 |
10 |
- |
- |
5+5 |
1+9 |
1+0 |
4 |
WISDOM |
10 |
10 |
1 |
- |
- |
1+0 |
1+1 |
|
4 |
WISDOM |
1 |
1 |
1 |
WISDOM W IS DOM WISDOM
WISDOM W IS DOM WISDOM
5IS5 5 IS 5 5IS5
WISDOM W IS DOM WISDOM
WISDOM W IS DOM WISDOM
6 |
WISDOM |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
28 |
10 |
|
|
D+O+M |
32 |
14 |
|
6 |
WISDOM |
83 |
29 |
10 |
- |
- |
8+3 |
2+9 |
2+0 |
6 |
WISDOM |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
|
6 |
WISDOM |
2 |
2 |
2 |
6 |
WISDOM |
- |
- |
- |
|
W |
23 |
5 |
|
|
I |
9 |
9 |
|
|
S+D+O+M |
51 |
15 |
|
6 |
WISDOM |
83 |
29 |
20 |
- |
- |
8+3 |
2+9 |
2+0 |
6 |
WISDOM |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
|
6 |
WISDOM |
2 |
2 |
2 |
AS EASY AS PI
STUFF ABOUT NUMBERS THAT ISN'T (JUST) MATHS
Jamie Buchan 2015
Page 76
THE NUMBER OF THE BEAST
'Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man;
and his number is six hundred three score and six.'
- REVELATIONS 13: 18
6 6 6 = SIX SIX SIX = 7 7 7
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
IS |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
WISDOM |
83 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
3 |
LET |
37 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
HIM |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
THAT |
49 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
HATH |
37 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
13 |
UNDERSTANDING |
150 |
60 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
COUNT |
73 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
6 |
NUMBER |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
5 |
BEAST |
47 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
3 |
FOR |
39 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
2 |
IT |
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
2 |
IS |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
NUMBER |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
3 |
MAN |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
3 |
HIS |
36 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
6 |
NUMBER |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
2 |
IS |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
7 |
HUNDRED |
74 |
38 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
5 |
THREE |
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
5 |
SCORE |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
First Total |
1451 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4+5 |
|
|
Add to Reduce |
1+4+5+1 |
5+9+6 |
1+0+1 |
|
1+1 |
1+0 |
1+2 |
|
|
3+0 |
1+4 |
|
1+8 |
|
|
|
|
11 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+1 |
2+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
WISE
HERE IS WISDOM IS HERE
W IS E 5 IS 5 W IS E
WISDOM W IS DOM WISDOM
W IS DOM 5 IS 5 W IS DOM
|
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|
|
|
|
|
|
|
|
|
|
|
W |
|
5 |
1 |
1 |
W |
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
I |
|
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
3 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
D |
|
4 |
4 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
O |
|
6 |
5 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
M |
|
4 |
6 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
|
|
8+3 |
3+8 |
2+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
AS EASY AS PI
STUFF ABOUT NUMBERS THAT ISN'T (JUST) MATHS
Jamie Buchan 2015
Page 76
- REVELATIONS 13: 18
THE NUMBER OF THE BEAST
'Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man;
and
his number is six hundred three score and six.'
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
HIS |
36 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
NUMBER |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
IS |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
22 |
|
|
|
137 |
56 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
HUNDRED |
74 |
38 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
THREE |
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
SCORE |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
313 |
142 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
First Total |
450 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
|
Add to Reduce |
4+5+0 |
1+9+8 |
3+6 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
10 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
1 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
7 |
HUNDRED |
74 |
38 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
THREE |
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
SCORE |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
S |
|
1 |
1 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
I |
= |
9 |
2 |
1 |
I |
9 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
X |
= |
6 |
3 |
1 |
X |
24 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
H |
= |
8 |
4 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
7 |
- |
- |
N |
= |
5 |
6 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
D |
= |
4 |
7 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
E |
= |
5 |
9 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
D |
= |
4 |
10 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
4 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
R |
= |
9 |
13 |
1 |
R |
18 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
E |
= |
5 |
14 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
S |
= |
1 |
16 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
C |
= |
3 |
17 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
7 |
- |
- |
O |
= |
6 |
18 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
R |
= |
9 |
19 |
1 |
R |
18 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
E |
= |
5 |
20 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
A |
= |
1 |
21 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
N |
= |
5 |
22 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
D |
= |
4 |
23 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
S |
|
1 |
24 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
I |
= |
9 |
25 |
1 |
I |
9 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
X |
= |
6 |
26 |
1 |
X |
24 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
2 |
6 |
12 |
30 |
18 |
7 |
16 |
45 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+2 |
3+0 |
1+8 |
- |
1+6 |
4+5 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
2 |
6 |
|
|
|
7 |
|
|
|
|
|
|
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
HUNDRED |
74 |
38 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
THREE |
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
SCORE |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
Add to Reduce |
313 |
|
|
|
4 |
2 |
6 |
3 |
3 |
9 |
7 |
7 |
9 |
|
|
1+4 |
|
|
Reduce to Deduce |
3+1+3 |
1+4+2 |
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
Essence of Number |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
1 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
7 |
HUNDRED |
74 |
38 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
THREE |
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
SCORE |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
S |
|
1 |
1 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
16 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
A |
= |
1 |
21 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
|
1 |
24 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
5 |
7 |
- |
- |
C |
= |
3 |
17 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
5 |
- |
- |
7 |
- |
- |
D |
= |
4 |
7 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
D |
= |
4 |
10 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
D |
= |
4 |
23 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
N |
= |
5 |
6 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
E |
= |
5 |
9 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
E |
= |
5 |
14 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
E |
= |
5 |
20 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
5 |
7 |
- |
- |
N |
= |
5 |
22 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
X |
= |
6 |
3 |
1 |
X |
24 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
O |
= |
6 |
18 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
X |
= |
6 |
26 |
1 |
X |
24 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
H |
= |
8 |
4 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
H |
= |
8 |
4 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
I |
= |
9 |
2 |
1 |
I |
9 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
R |
= |
9 |
13 |
1 |
R |
18 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
R |
= |
9 |
19 |
1 |
R |
18 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
I |
= |
9 |
25 |
1 |
I |
9 |
9 |
9 |
- |
- |
5 |
- |
5 |
- |
5 |
7 |
- |
9 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
2 |
6 |
12 |
30 |
18 |
7 |
16 |
45 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+2 |
3+0 |
1+8 |
- |
1+6 |
4+5 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
2 |
6 |
|
|
|
7 |
|
|
|
|
|
|
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
HUNDRED |
74 |
38 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
THREE |
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
SCORE |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
SIX |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
Add to Reduce |
313 |
|
|
|
4 |
2 |
6 |
3 |
3 |
9 |
7 |
7 |
9 |
|
|
1+4 |
|
|
Reduce to Deduce |
3+1+3 |
1+4+2 |
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
Essence of Number |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
6 6 6 = SIX SIX SIX = 7 7 7 = SIX SIX SIX = 6 6 6
AS EASY AS PI
STUFF ABOUT NUMBERS THAT ISN'T (JUST) MATHS
Jamie Buchan 2015
Page 76
THE NUMBER OF THE BEAST
- REVELATIONS 13: 18
666 has long been considered unlucky in Christian traditions because of this passage from Revelations, which associates the number with the Devil. Like thirteen (see p.100), there is a widespread superstition about 666, so widespread that it's catchily known as hexakosioihexekontahexaphobia.
THE DAILY MAIL
Jonathan Cainer Tuesday, December 6, 2005
Page 56
HI JONATHAN. Next year we will have the date 6-6-6 upon us. Can we expect the Antichrist to be born on this day? Or will the Devil show his hand in some other way?
Dear Jim, It is hard to imagine that the Prince of Darkness has to sit around waiting for his number to come up before he can make a move. But then again, they do say 'the devil is in the detail' I predict 6.6.06 will pass quite safely for us all, though - even at 6 minutes and 6 seconds past 6
- |
SIX SIX SIX |
- |
- |
- |
3 |
SIX |
52 |
25 |
7 |
3 |
SIX |
52 |
25 |
7 |
3 |
SIX |
52 |
25 |
7 |
9 |
SIX SIX SIX |
|
|
|
|
- |
1+5+6 |
7+5 |
2+1 |
9 |
SIX SIX SIX |
12 |
12 |
3 |
- |
- |
1+2 |
1+2 |
- |
9 |
SIX SIX SIX |
|
|
|
- |
HOLY HOLY HOLY |
- |
- |
- |
4 |
HOLY |
60 |
24 |
6 |
4 |
HOLY |
60 |
24 |
6 |
4 |
HOLY |
60 |
24 |
6 |
9 |
HOLY HOLY HOLY |
|
|
|
|
- |
1+8+0 |
7+2 |
1+8 |
9 |
HOLY HOLY HOLY |
9 |
9 |
9 |
- |
- |
- |
1+2 |
- |
9 |
HOLY HOLY HOLY |
|
|
|
"WEAVES HER WEB WITH RAPID LIGHT"
9 |
SIX SIX SIX |
|
|
|
9 |
HOLY HOLY HOLY |
|
|
|
9 |
SIX SIX SIX |
|
|
|
- |
SIX SIX SIX |
- |
- |
- |
3 |
SIX |
52 |
25 |
7 |
3 |
SIX |
52 |
25 |
7 |
3 |
SIX |
52 |
25 |
7 |
9 |
SIX SIX SIX |
|
|
|
|
- |
1+5+6 |
7+5 |
2+1 |
9 |
SIX SIX SIX |
12 |
12 |
3 |
- |
- |
1+2 |
1+2 |
- |
9 |
SIX SIX SIX |
|
|
|
- |
- |
- |
- |
- |
SIX SIX SIX |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
S |
= |
5 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
5 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
X |
= |
2 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
S |
= |
9 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
3 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
X |
= |
1 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
|
- |
9 |
SIX SIX SIX |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
18 |
7 |
8 |
27 |
- |
- |
2+1 |
- |
- |
- |
1+5+6 |
7+5 |
2+1 |
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
2+7 |
- |
- |
3 |
- |
9 |
SIX SIX SIX |
12 |
12 |
3 |
|
1 |
2 |
3 |
4 |
4 |
|
7 |
8 |
|
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
|
|
|
|
|
1 |
2 |
3 |
4 |
4 |
9 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
SIX SIX SIX |
- |
- |
- |
- |
1 |
6 |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
6 |
- |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
6 |
- |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
6 |
- |
- |
- |
|
- |
9 |
SIX SIX SIX |
|
|
|
|
1 |
18 |
27 |
- |
- |
2+1 |
- |
- |
- |
1+5+6 |
7+5 |
2+1 |
- |
- |
1+8 |
2+7 |
- |
- |
3 |
- |
9 |
SIX SIX SIX |
12 |
12 |
3 |
|
1 |
|
|
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
|
- |
- |
- |
- |
- |
|
|
9 |
|
|
|
|
|
1 |
9 |
9 |
- |
- |
- |
- |
- |
SIX SIX SIX |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
9 |
SIX SIX SIX |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
18 |
7 |
8 |
27 |
- |
- |
2+1 |
- |
- |
- |
1+5+6 |
7+5 |
2+1 |
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
2+7 |
- |
- |
3 |
- |
9 |
SIX SIX SIX |
12 |
12 |
3 |
|
1 |
2 |
3 |
4 |
4 |
|
7 |
8 |
|
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
|
|
|
|
|
1 |
2 |
3 |
4 |
4 |
9 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
SIX SIX SIX |
- |
- |
- |
- |
1 |
6 |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
6 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
6 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
S |
= |
1 |
- |
1 |
S |
1 |
10 |
1 |
- |
1 |
- |
- |
X |
= |
6 |
- |
1 |
X |
15 |
6 |
6 |
- |
- |
6 |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
9 |
- |
- |
|
- |
9 |
SIX SIX SIX |
|
|
|
|
1 |
18 |
27 |
- |
- |
2+1 |
- |
- |
- |
1+5+6 |
7+5 |
2+1 |
- |
- |
1+8 |
2+7 |
- |
- |
3 |
- |
9 |
SIX SIX SIX |
12 |
12 |
3 |
|
1 |
|
|
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
|
- |
- |
- |
- |
- |
|
|
9 |
|
|
|
|
|
1 |
9 |
9 |
HOLY BIBLE
New American Standard 1977
Simon Peter went up, and drew the net to land, full of large fish, a hundred and fifty-three; and although there were so many, the net was not torn.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
74 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
Add to Reduce |
2+1+6 |
1+0+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ONE EQUALS SEVEN EQUALS TWO EQUALS FOUR EQUALS
FIVE EQUALS SIX EQUALS SEVEN
EQUALS TWO EQUALS FOUR EQUALS SIX EQUALS SEVEN
THREE EQUALS TWO EQUALS FOUR EQUAL SIX
EIGHT EQUALS FOUR EQUALS SIX
NINE EQUALS SIX EQUALS SEVEN
GOD
GO DO
GOOD
GOD GOOD GOD
GODDESS GOODNESS GODDESS
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|
|
|
|
|
|
|
|
|
1 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
9 |
|
99 |
45 |
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|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
1+8 |
|
1+9+8 |
9+0 |
2+7 |
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1+8 |
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|
|
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
4 |
4 |
|
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|
|
|
|
|
4 |
1 |
|
19 |
10 |
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|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
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|
6 |
1 |
|
6 |
6 |
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|
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|
7 |
1 |
|
20 |
2 |
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8 |
1 |
|
8 |
8 |
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|
9 |
1 |
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5 |
5 |
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10 |
1 |
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6 |
6 |
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|
11 |
1 |
|
18 |
9 |
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|
12 |
1 |
|
18 |
9 |
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|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
21 |
12 |
|
|
|
|
|
1+2 |
1+5 |
2+4 |
|
|
1+8 |
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
1+8 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
1+8 |
|
1+9+8 |
9+0 |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
21 |
12 |
|
|
|
|
|
1+2 |
1+5 |
2+4 |
|
|
1+8 |
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
1+8 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
I
MEAN
MAN E MAN
AMEN THE NAME
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EIGHTEEN THIRTYSIX |
- |
- |
- |
E |
= |
7 |
- |
|
EIGHTEEN |
73 |
46 |
|
T |
= |
2 |
- |
|
THIRTYSIX |
152 |
53 |
|
- |
- |
4 |
- |
17 |
EIGHTEEN THIRTYSIX |
225 |
99 |
9 |
- |
- |
- |
- |
1+7 |
- |
2+2+5 |
9+9 |
- |
|
|
|
|
8 |
EIGHTEEN THIRTYSIX |
9 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
1+8 |
- |
|
|
|
|
8 |
EIGHTEEN THIRTYSIX |
9 |
9 |
9 |
SING A SONG OF NINES OF NINES A SONG SING
973-eht-namuh-973.com Forum Index
0483726159
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Last active:
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The Oracle
(3 Posts)
Most active topic: 9
0483726159
Posts: 3
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Contact: Contact 0483726159
09
Postby 0483726159 » Sun Feb 28, 2016 10:18 am
09 09 09 09 09 09 09 09 09 09
09 18 27 36 45 54 63 72 81 90
09 27 45 63 81 18 36 54 72 90
09 36 63 90 36 63 90 36 63 90
09 45 81 36 72 27 63 18 54 90
09 54 18 63 27 72 36 81 45 90
09 63 36 90 63 36 90 63 36 90
09 72 54 36 18 81 63 45 27 90
09 81 72 63 54 45 36 27 18 90
09 90 90 90 90 90 90 90 90 90
Posts: 3
Joined: Sun Feb 28, 2016 9:16 am
Contact: Contact 0483726159
Re: Symbols
Postby 0483726159 » Sun Feb 28, 2016 10:01 am
09 09 09 09 09 09 09 09 09 09
09 18 27 36 45 54 63 72 81 90
09 27 45 63 81 18 36 54 72 90
09 36 63 90 36 63 90 36 63 90
09 45 81 36 72 27 63 18 54 90
09 54 18 63 27 72 36 81 45 90
09 63 36 90 63 36 90 63 36 90
09 72 54 36 18 81 63 45 27 90
09 81 72 63 54 45 36 27 18 90
09 90 90 90 90 90 90 90 90 90
0483726159
Posts: 3
Joined: Sun Feb 28, 2016 9:16 am
Contact: Contact 0483726159
9
Postby 0483726159 » Sun Feb 28, 2016 9:55 am
09 09 09 09 09 09 09 09 09 09
09 18 27 36 45 54 63 72 81 90
09 27 45 63 81 18 36 54 72 90
09 36 63 90 36 63 90 36 63 90
09 45 81 36 72 27 63 18 54 90
09 54 18 63 27 72 36 81 45 90
09 63 36 90 63 36 90 63 36 90
09 72 54 36 18 81 63 45 27 90
09 81 72 63 54 45 36 27 18 90
09 90 90 90 90 90 90 90 90 90
0|1(2[3{4|5}6]7)8|9
0|8(7[6{5|4}3]2)1|9
0|2(4[6{8|1}3]5)7|9
0|7(5[3{1|8}6]4)2|9
0|3(6[9{3|6}9]3)6|9
0|6(3[9{6|3}9]6)3|9
0|4(8[3{7|2}6]1)5|9
0|5(1[6{2|7}3]8)4|9
0 0 0 0 0 0 0 0 0 0
0 1 2 3 4 5 6 7 8 9
0 2 4 6 8 1 3 5 7 9
0 3 6 9 3 6 9 3 6 9
0 4 8 3 7 2 6 1 5 9
0 5 1 6 2 7 3 8 4 9
0 6 3 9 6 3 9 6 3 9
0 7 5 3 1 8 6 4 2 9
0 8 7 6 5 4 3 2 1 9
0 9 9 9 9 9 9 9 9 9
Any number mirrored symmetrically whether horizontally or vertical will match its polar opposite, which will equate to 9
1+1+1+1+1+1+1+1+1
1 2 3 4 5 6 7 8 9
8+8+8+8+8+8+8+8+8
8 16 24 32 40 48 56 64 72
8 7 6 5 4 3 2 1 9
1 2 3 4 5 6 7 8 9. 1 & 8
8 7 6 5 4 3 2 1 9
1+2=3=4+5=6=7+8
+ + + + + + + +
8+7=6=5+4=3=2+1
1(2 3 4|5 6 7)8
8(7 6 5|4 3 2)1
1 2 3 4 5 6 7 8
2 4 6 8 1 3 5 7
3 6 9 3 6 9 3 6
4 8 3 7 2 6 1 5
5 1 6 2 7 3 8 4
6 3 9 6 3 9 6 3
7 5 3 1 8 6 4 2
8 7 6 5 4 3 2 1
Can you see? Reflect and mirror any number horizontal or vertical from x or y axis and you will equate 9. However if you reflect any number diagonal, from corner to corner, each number will reflect itself.
9 reflects itself within the polarity of the digits which equate it. Multiples of 9 count forwards and Backwards simultaneously
09 18 27 36 45 54 63 72 81 90
Who sees when you see?
A
MYSTERIOUS VOICE IN THE NIGHT SAID
SOMEONE SOMETHING SOMEWHERE WHO SHALL BE NAMELESS
ADDED THE GOLD WILLY NILLY ADDED THE GOLD.
ATUM 1234 ATUM
1234 ATUM 1234
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|
|
1 |
|
19 |
10 |
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
36 |
|
6 |
SPHINX |
90 |
45 |
36 |
|
|
3+6 |
|
|
- |
9+0 |
3+6 |
3+6 |
|
|
|
|
6 |
SPHINX |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
1 |
|
19 |
10 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
- |
|
|
|
|
1 |
|
16 |
7 |
|
- |
- |
2 |
3 |
4 |
- |
- |
7 |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
|
- |
- |
2 |
3 |
4 |
- |
- |
- |
8 |
- |
|
|
|
|
1 |
|
9 |
9 |
|
- |
- |
2 |
3 |
4 |
- |
- |
- |
- |
9 |
|
|
|
|
1 |
|
14 |
5 |
|
- |
- |
2 |
3 |
4 |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
24 |
6 |
|
- |
- |
2 |
3 |
4 |
- |
6 |
- |
- |
- |
|
|
36 |
|
6 |
SPHINX |
90 |
45 |
36 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
3+6 |
|
|
- |
9+0 |
4+5 |
3+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
SPHINX |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
36 |
|
6 |
SPHINX |
90 |
45 |
36 |
|
|
3+6 |
|
|
- |
9+0 |
4+5 |
3+6 |
|
|
|
|
6 |
SPHINX |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
1 |
|
19 |
10 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
- |
|
|
|
|
1 |
|
14 |
5 |
|
- |
- |
2 |
3 |
4 |
5 |
- |
6 |
- |
- |
|
|
|
|
1 |
|
24 |
6 |
|
- |
- |
2 |
3 |
4 |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
16 |
7 |
|
- |
- |
2 |
3 |
4 |
- |
- |
7 |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
|
- |
- |
2 |
3 |
4 |
- |
- |
- |
8 |
- |
|
|
|
|
1 |
|
9 |
9 |
|
- |
- |
2 |
3 |
4 |
- |
- |
- |
- |
9 |
|
|
36 |
|
6 |
SPHINX |
90 |
45 |
36 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
3+6 |
|
|
- |
9+0 |
4+5 |
3+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
DELPHI |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
|
|
|
|
|
- |
1 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
1 |
|
19 |
10 |
|
- |
1 |
- |
- |
- |
- |
- |
|
|
|
|
1 |
|
14 |
5 |
|
- |
- |
5 |
- |
6 |
- |
- |
|
|
|
|
1 |
|
24 |
6 |
|
- |
- |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
16 |
7 |
|
- |
- |
- |
- |
7 |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
|
- |
- |
- |
- |
- |
8 |
- |
|
|
|
|
1 |
|
9 |
9 |
|
- |
- |
- |
- |
- |
- |
9 |
|
|
36 |
|
6 |
SPHINX |
90 |
45 |
18 |
|
1 |
5 |
6 |
7 |
8 |
9 |
|
|
3+6 |
|
|
- |
9+0 |
3+6 |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
6 |
SPHINX |
|
|
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|
1 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
|
|
|
|
|
|
|
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|
1 |
|
16 |
7 |
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
46 |
|
7 |
PHOENIX |
91 |
46 |
46 |
|
|
4+6 |
|
|
- |
9+0 |
4+6 |
4+6 |
|
|
10 |
|
7 |
PHOENIX |
10 |
10 |
10 |
|
|
1+0 |
|
|
- |
1+0 |
1+0 |
1+0 |
|
|
1 |
|
7 |
PHOENIX |
1 |
1 |
1 |
|
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|
|
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- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
1 |
|
16 |
7 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
7 |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
- |
8 |
- |
|
|
|
|
1 |
|
15 |
6 |
|
- |
1 |
2 |
3 |
4 |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
5 |
5 |
|
- |
1 |
2 |
3 |
4 |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
14 |
5 |
|
- |
1 |
2 |
3 |
4 |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
9 |
9 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
9 |
|
|
|
|
1 |
|
24 |
6 |
|
- |
1 |
2 |
3 |
4 |
- |
6 |
- |
- |
- |
|
|
46 |
|
7 |
PHOENIX |
91 |
46 |
46 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
4+6 |
|
|
- |
9+0 |
4+6 |
4+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
10 |
|
7 |
PHOENIX |
10 |
10 |
10 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
1+0 |
|
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
7 |
PHOENIX |
1 |
1 |
1 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
46 |
|
7 |
PHOENIX |
91 |
46 |
46 |
|
|
4+6 |
|
|
- |
9+0 |
4+6 |
4+6 |
|
|
10 |
|
7 |
PHOENIX |
10 |
10 |
10 |
|
|
1+0 |
|
|
- |
1+0 |
1+0 |
1+0 |
|
|
1 |
|
7 |
PHOENIX |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
1 |
|
5 |
5 |
|
- |
1 |
2 |
3 |
4 |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
14 |
5 |
|
- |
1 |
2 |
3 |
4 |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
15 |
6 |
|
- |
1 |
2 |
3 |
4 |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
24 |
6 |
|
- |
1 |
2 |
3 |
4 |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
16 |
7 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
7 |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
- |
8 |
- |
|
|
|
|
1 |
|
9 |
9 |
|
- |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
9 |
|
|
46 |
|
7 |
PHOENIX |
91 |
46 |
46 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
4+6 |
|
|
- |
9+0 |
4+6 |
4+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
10 |
|
7 |
PHOENIX |
10 |
10 |
10 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
1+0 |
|
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
7 |
PHOENIX |
1 |
1 |
1 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
|
|
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|
|
|
|
|
- |
5 |
6 |
7 |
8 |
9 |
|
|
|
|
1 |
|
5 |
5 |
|
- |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
14 |
5 |
|
- |
5 |
- |
- |
- |
- |
|
|
|
|
1 |
|
15 |
6 |
|
- |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
24 |
6 |
|
- |
- |
6 |
- |
- |
- |
|
|
|
|
1 |
|
16 |
7 |
|
- |
- |
- |
7 |
- |
- |
|
|
|
|
1 |
|
8 |
8 |
|
- |
- |
- |
- |
8 |
- |
|
|
|
|
1 |
|
9 |
9 |
|
- |
- |
- |
- |
- |
9 |
|
|
46 |
|
7 |
PHOENIX |
91 |
46 |
46 |
|
5 |
6 |
7 |
8 |
9 |
|
|
4+6 |
|
|
- |
9+0 |
4+6 |
4+6 |
- |
- |
- |
- |
- |
- |
|
|
10 |
|
7 |
PHOENIX |
10 |
10 |
10 |
|
5 |
6 |
7 |
8 |
9 |
|
|
1+0 |
|
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
7 |
PHOENIX |
1 |
1 |
1 |
|
5 |
6 |
7 |
8 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
P |
= |
7 |
|
4 |
PATH |
45 |
18 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
P |
= |
7 |
- |
4 |
PTAH |
45 |
18 |
9 |
- |
- |
22 |
|
13 |
Add to Reduce |
|
|
|
- |
- |
2+2 |
|
1+3 |
Reduce to Deduce |
1+4+4 |
6+3 |
2+7 |
Q |
- |
4 |
|
4 |
Essence of Number |
|
|
|
- |
- |
- |
|
- |
Reduce to Deduce |
- |
|
- |
- |
- |
4 |
|
|
Essence of Number |
|
|
|
GODS OF THE DAWN
THE MESSAGE OF THE PYRAMIDS and THE TRUE STARGATE MYSTERY
12
Page 121
THE PATHS OF HOPE
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
P |
= |
7 |
|
5 |
PATHS |
64 |
19 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
H |
= |
8 |
- |
4 |
HOPE |
44 |
26 |
8 |
- |
- |
23 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
2+3 |
|
1+4 |
Reduce to Deduce |
1+6+2 |
7+2 |
1+8 |
Q |
- |
5 |
|
5 |
Essence of Number |
|
|
|